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International Journal of Cultural Policy Volume 18, 2012 - Issue 3: Cultural Policy in Asia
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Articles

Cultural policy between the state and the market: regulation, creativity and contradiction

Q.S. Tong School of English, University of Hong Kong, Pokfulam Road, Hong Kong SAR, ChinaCorrespondence[email protected]
&
Ruth Y.Y. Hung English Department, Hong Kong Baptist University, Hong Kong SAR, China
Pages 265-278 | Published online: 18 Apr 2012

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Carol Chung, Andrew Manley, Yi-Wen Wang, Michael Silk & Rebecca Bailey. (2023) Cross-cultural collaboration and cultural production within China’s public museums: examining the challenges and practices guiding administration. International Journal of Cultural Policy 29:3, pages 328-344.
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Gejun Huang. (2022) The impacts of cultural policy on gaming entrepreneurs in Shanghai: an entrepreneurial ecosystem approach. Cultural Trends 31:4, pages 311-331.
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Hye-Kyung Lee, Karin Ling-Fung Chau & Takao Terui. (2022) The Covid-19 crisis and ‘critical juncture’ in cultural policy: a comparative analysis of cultural policy responses in South Korea, Japan and China. International Journal of Cultural Policy 28:2, pages 145-165.
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Appukuttan Nair Damodaran & Larry Chavis. (2019) Nurturing UNESCO’s ‘aged’ infants in India: lessons in heritage policy. International Journal of Cultural Policy 25:4, pages 407-422.
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Taeyoung Kim. (2017) Creative Economy of the Developmental State: A Case Study of South Korea's Creative Economy Initiatives. The Journal of Arts Management, Law, and Society 47:5, pages 322-332.
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Wendy Su. (2015) From culture for the people to culture for profit: the PRC’s journey toward a cultural industries approach. International Journal of Cultural Policy 21:5, pages 513-528.
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Justin O’Connor & Xin Gu. (2014) Creative industry clusters in Shanghai: a success story?. International Journal of Cultural Policy 20:1, pages 1-20.
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Articles from other publishers (8)

Zhuyun Song. (2023) Gaining Instead of Losing: The Image of Dunhuang as a Religious Heritage in a WeChat Mini-Programme. Religions 14:5, pages 634.
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Ke Nie. (2021) Disperse and preserve the perverse: computing how hip-hop censorship changed popular music genres in China. Poetics 88, pages 101590.
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David Craig, Jian Lin & Stuart CunninghamDavid Craig, Jian Lin & Stuart Cunningham. 2021. Wanghong as Social Media Entertainment in China. Wanghong as Social Media Entertainment in China 29 58 .
Anthony Fung. 2016. Global Game Industries and Cultural Policy. Global Game Industries and Cultural Policy 15 31 .
Nobuko Kawashima. 2015. International Encyclopedia of the Social & Behavioral Sciences. International Encyclopedia of the Social & Behavioral Sciences 453 459 .
Justin O’Connor & Lie Liu. (2014) Shenzhen’s OCT-LOFT: Creative space in the City of Design. City, Culture and Society 5:3, pages 131-138.
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Hye-Kyung Lee & Lorraine Lim. 2014. Cultural Policies in East Asia. Cultural Policies in East Asia 1 14 .
A. Damodaran. (2018) Performing Arts: Critical Governance Issues. SSRN Electronic Journal.
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