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Continuum
Journal of Media & Cultural Studies
Volume 20, 2006 - Issue 2
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Original Articles

Nation Building and Australian Popular Music in the 1970s and 1980s

Jon StrattonCorrespondence[email protected]
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Pages 243-252 | Published online: 19 Jan 2007

Citations (9)

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Read on this site (3)

Adam Trainer. (2018) Fruit Band, Rock Band: Perth Pub Rock. Popular Music and Society 41:1, pages 39-54.
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Sarah Baker, Peter Doyle & Shane Homan. (2016) Historical Records, National Constructions: The Contemporary Popular Music Archive. Popular Music and Society 39:1, pages 8-27.
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Carl Rhodes & Alison Pullen. (2012) Commercial gender: Fracturing masculinity in the case of OzRock. Culture and Organization 18:1, pages 33-49.
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Articles from other publishers (6)

David S. Waller & Helen J. Waller. (2021) Heritagisation of pop culture by museums and an analysis of visitor feedback. Arts and the Market 11:3, pages 258-274.
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Miller. (2021) A. B. Original's “Dumb Things”: Decolonizing the Postcolonial Australian Dream. ab-Original 4:1-2, pages 103.
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Catherine HoadCatherine Hoad. 2021. Heavy Metal Music, Texts, and Nationhood. Heavy Metal Music, Texts, and Nationhood 151 196 .
J. Richard Pattinson. (2018) Popular Music and Canadian National Identity. Canadian Journal of Communication 43:2, pages 221-244.
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Jon Stratton & Adam Trainer. (2016) Nothing happens here. Thesis Eleven 135:1, pages 34-50.
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Adam Trainer. (2015) Perth punk and the construction of urbanity in a suburban city. Popular Music 35:1, pages 100-117.
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