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Continuum
Journal of Media & Cultural Studies
Volume 22, 2008 - Issue 5
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Themed Section: Australian Music Scenes

The difference of Perth music: A scene in cultural and historical context

Jon Stratton Curtin University of Technology, Perth, AustraliaCorrespondence[email protected]
Pages 613-622 | Published online: 06 Aug 2010

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Laura Glitsos & Jessica Taylor. (2022) The Claremont serial killer and the production of class-based suburbia in serial killer mythology. Continuum 36:4, pages 508-527.
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Laura Glitsos. (2021) COVID-19 and the ‘Perfectly Governed City’. Journal for Cultural Research 25:3, pages 270-286.
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Christina Ballico. (2021) Caught in the act: the impact of liquor regulation on original live music activity in Perth, Western Australia. International Journal of Cultural Policy 27:3, pages 394-408.
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Andy Bennett, David Cashman & Natalie Lewandowski. (2019) “Twice the Size of Texas”: Assessing the Importance of Regional Popular Music Scenes – A Case Study of Regional Queensland. Popular Music and Society 42:5, pages 561-575.
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Adam Trainer, Cat Hope & Lelia Green. (2017) What is New, Here? Locating an Art Form Within the Western Australian New Music Archive. Journal of the Australian Library and Information Association 66:3, pages 231-248.
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Christina Ballico. (2017) Another Typical Day in this Typical Town: place as inspiration for music creation and creative expression. Australian Geographer 48:3, pages 349-363.
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Laura Glitsos. (2017) Nice girls don’t jive: the rise and fade of women in Perth music from the late 1950s to the early 1970s. Continuum 31:2, pages 200-215.
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Ben Gallan. (2012) Gatekeeping Night Spaces: the role of booking agents in creating ‘local’ live music venues and scenes. Australian Geographer 43:1, pages 35-50.
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Dawn Bennett. (2010) Creative Migration: a Western Australian case study of creative artists. Australian Geographer 41:1, pages 117-128.
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Chris Gibson. (2010) Guest Editorial—Creative Geographies: tales from the ‘margins’. Australian Geographer 41:1, pages 1-10.
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Articles from other publishers (8)

Andy BennettAndy Bennett. 2022. Popular Music Heritage. Popular Music Heritage 15 37 .
Sean Winter & B'geella Romano. (2020) Archaeology, Heritage and Performance in the Perth Popular Music Scene. Journal of Contemporary Archaeology 6:2, pages 322-346.
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Patrick Collins & James A. CunninghamPatrick Collins & James A. Cunningham. 2017. Creative Economies in Peripheral Regions. Creative Economies in Peripheral Regions 109 160 .
Adam Trainer. (2016) “Making Do in Ways That We Hadn't Done Before”: The Early Popular Music Industry in Perth. Journal of Popular Music Studies 28:2, pages 248-273.
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Andy Bennett & Ian RogersAndy Bennett & Ian Rogers. 2016. Popular Music Scenes and Cultural Memory. Popular Music Scenes and Cultural Memory 91 114 .
Johanna Hautala. (2015) Interaction in the artistic knowledge creation process: The case of artists in Finnish Lapland. Geoforum 65, pages 351-362.
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Andy Bennett & Ian Rogers. 2014. Sounds and the City. Sounds and the City 302 316 .
Dawn Bennett. (2010) State of play: Live original music venues in Western Australia. Perfect Beat 11:1.
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