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Continuum
Journal of Media & Cultural Studies
Volume 33, 2019 - Issue 2: ‘As if’: women in genres of the fantastic, cross-platform entertainments and transmedial engagements
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Special Issue Articles

Breaking silence, bearing witness, and voicing defiance: the resistant female voice in the transmedia storyworld of The Handmaid’s Tale

Amanda HowellSchool of Humanities, Languages, and Social Science, Griffith University, Brisbane, AustraliaCorrespondence[email protected]
ORCID Iconhttp://orcid.org/0000-0002-9708-8293View further author information
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Pages 216-229 | Published online: 23 Jan 2019

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Read on this site (2)

Ju Oak Kim. (2022) Intersectionality in quality feminist television: rethinking women’s solidarity in The Handmaid’s Tale and Big Little Lies. Feminist Media Studies 22:6, pages 1463-1477.
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Daný van Dam & Sara Polak. (2021) Owning Gilead: franchising feminism through Margaret Atwood’s The Handmaid’s Tale and The Testaments. European Journal of English Studies 25:2, pages 172-189.
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Articles from other publishers (4)

Jill Fredenburg. (2023) “Camping” or abortion? Polyvarience and coded language on social media. New Media & Society.
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Jen Atkins. (2022) The new normal: Activist handmaids and cosplay choreographies in Trump’s America. European Journal of American Culture 41:2, pages 187-208.
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Jana Klünder & Maira Peitsch. 2022. Pandemie im Film. Pandemie im Film 87 99 .
Susanna Rokka. 2021. Engaging with Work in English Studies. Engaging with Work in English Studies 221 244 .

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