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Continuum
Journal of Media & Cultural Studies
Volume 33, 2019 - Issue 3
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Original Articles

From Cultural Revolution to cultural consumption: forming a contemporary identity through Shanghai Symphony Orchestra

Mengyu LuoCollege of Communication and Art Design, University of Shanghai for Science and Technology, Shanghai, ChinaCorrespondence[email protected]
ORCID Iconhttp://orcid.org/0000-0003-0637-6511View further author information
ORCID Icon &
John TebbuttSchool of Media, Film and Journalism, Monash University, Melbourne, AustraliaORCID Iconhttp://orcid.org/0000-0002-2972-0242View further author information
ORCID Icon
Pages 351-368 | Published online: 17 Mar 2019

Citations (5)

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Read on this site (3)

Mengyu Luo & Jian Xiao. (2022) Institutional policing of western heritage: the case of Shanghai Symphony Museum. Museum Management and Curatorship 37:4, pages 418-436.
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Mengyu Luo. (2022) Power and Identity Transition in Symphonic Music: Shanghai Symphony Orchestra from the 1920s to the Early 1950s. Critical Arts 36:1-2, pages 126-142.
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John Lowe. (2021) The affective cultural commons of Hong Kong’s pro-democracy movement and figurations of the anonymous protestor. Continuum 35:4, pages 614-633.
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Articles from other publishers (2)

Aylin Ecem Gürşen. (2020) Art marketing as an emerging area in an emerging market. Arts and the Market 10:1, pages 34-52.
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Mengyu Luo. (2019) The omnivore turn in cultural production: Case study of China’s Rainbow Chamber Singers. International Journal of Cultural Studies 23:1, pages 81-101.
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