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Continuum
Journal of Media & Cultural Studies
Volume 35, 2021 - Issue 1
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Research Article

Producing local content in international waters: the case of Netflix’s Tidelands

Alexa ScarlataSchool of Media and Communication, RMIT University, Melbourne and Queensland University of Technology, Queensland, AustraliaCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0003-2841-8014View further author information
ORCID Icon,
Ramon LobatoSchool of Media and Communication, RMIT University, Melbourne and Queensland University of Technology, Queensland, AustraliaORCID Iconhttps://orcid.org/0000-0002-1689-7233View further author information
ORCID Icon &
Stuart CunninghamSchool of Media and Communication, RMIT University, Melbourne and Queensland University of Technology, Queensland, AustraliaORCID Iconhttps://orcid.org/0000-0002-7437-1424View further author information
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Pages 137-150 | Published online: 17 Mar 2021

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David Pettersen. (2023) From Bron to The Tunnel: localising international television formats. French Screen Studies 0:0, pages 1-17.
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Hyun Jung Stephany Noh. (2022) Romantic blockbusters: the co-commissioning of Korean network-developed K-dramas as ‘Netflix originals’. Journal of Japanese and Korean Cinema 14:2, pages 98-113.
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Irena Řehořová. (2022) HBO’s the Sleepers: How Spy Genre and Transnational Co-Production Challenged the Memory of Communism in the Czech Republic. Studies in Eastern European Cinema 0:0, pages 1-15.
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