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Social Semiotics Volume 21, 2011 - Issue 2: MULTIMODAL DISCOURSE IN MEDIATED SPACES
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RESEARCH ARTICLE

The reservations of the editor: the routine work of showing and knowing the film in the edit suite

Eric Laurier School of GeoSciences, Institute of Geography, University of Edinburgh, Drummond Street, Edinburgh, EH8 9XP, UKCorrespondence[email protected]
&
Barry Brown Department of Communication, University of California San Diego, La Jolla, California, CA, 92093-0503, USA
Pages 239-257 | Accepted 19 Aug 2010, Published online: 13 Jun 2011

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Kath Dooley & Julia Erhart. (2023) Narrating women workers’ perceptions of sexism and change in the Australian screen postproduction sector before and after #MeToo. Feminist Media Studies 23:2, pages 671-687.
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Julia Erhart & Kath Dooley. (2022) ‘Post goblins’ and ‘preditors’: identities, experiences, and contributions of women in Australian screen postproduction and visual effects sectors 2020/2021. Studies in Australasian Cinema 16:1, pages 17-34.
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Articles from other publishers (11)

Hansun Zhang Waring. (2023) Presenting a united front at the dinner table: The case of merged speakership and merged recipiency. Language in Society, pages 1-22.
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Julia Erhart & Kath Dooley. 2023. Women, Ageing and the Screen Industries. Women, Ageing and the Screen Industries 19 39 .
Laurent Camus. (2021) Le technicien invisible de l’événement médiatiqueThe invisible technician of media event. Questions de communication:39, pages 209-238.
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Ella Harris & Rebecca Coleman. (2020) The social life of time and methods: Studying London’s temporal architectures. Time & Society 29:2, pages 604-631.
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Mark Perry, Mathias Broth, Arvid Engström & Oskar Juhlin. (2019) Visual Narrative and Temporal Relevance: Segueing Instant Replay into Live Broadcast TV. Symbolic Interaction 42:1, pages 98-126.
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Eric Laurier. (2017) The uses of stance in media production: A study in embodied sociolinguistics. Journal of Sociolinguistics 21:1, pages 112-137.
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Jessica Jacobs. (2016) Filmic geographies: the rise of digital film as a research method and output. Area 48:4, pages 452-454.
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Martin Stollery. (2015) Biography, Craft, Creative Labour: The Timeliness of Dai Vaughan's Portrait of an Invisible Man: The Working Life of Stewart McAllister, Film Editor . Journal of British Cinema and Television 12:3, pages 277-299.
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Alexandra Weilenmann, Roger Säljö & Arvid Engström. (2013) Mobile video literacy: negotiating the use of a new visual technology. Personal and Ubiquitous Computing 18:3, pages 737-752.
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Maurice Nevile, Pentti Haddington, Trine Heinemann & Mirka Rauniomaa. 2014. Interacting with Objects. Interacting with Objects 3 26 .
Irene Vélez-Torres. (2013) Reflections on a participatory documentary process: constructing territorial histories of dispossession among Afro-descendant youth in Colombia. Area 45:3, pages 299-306.
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