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Social Semiotics Volume 26, 2016 - Issue 4: The Languages of Performing Arts: Semiosis, Communication and Meaning-Making. Guest editors: Maria Grazia Sindoni, Janina Wildfeuer and Kay O’Halloran
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Articles

From book to stage to screen: semiotic transformations of Gothic horror genre conventions

Sabine TanSchool of Education, Curtin University, Perth, Western Australia, Australia
,
Peter WignellSchool of Education, Curtin University, Perth, Western Australia, Australia
&
Kay L. O’HalloranSchool of Education, Curtin University, Perth, Western Australia, AustraliaCorrespondence[email protected]
Pages 404-423 | Published online: 31 May 2016

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Marissa K. L. E & Sabine Tan. (2023) Semiotic representations of neoliberal dystopia in Black Mirror. Social Semiotics 0:0, pages 1-19.
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Articles from other publishers (2)

Hailing Yu. (2020) A rebellious thinker or a cultural icon: Chan master Huineng in theatrical resemiotization. Visual Communication 22:2, pages 322-345.
Crossref
Marissa K. L. E.Sabine Tan. 2022. Integrating Content and Language in Higher Education. Integrating Content and Language in Higher Education 125 142 .

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