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Original Articles

A time for every purpose under heaven: Rhetorical dimensions of protest music

Pages 377-389 | Published online: 01 Apr 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (25)

Scott Haden Church. (2017) Against the tyranny of musical form: glitch music, affect, and the sound of digital malfunction. Critical Studies in Media Communication 34:4, pages 315-328.
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JamesD. Belcher & Paul Haridakis. (2013) The Role of Background Characteristics, Music-Listening Motives, and Music Selection on Music Discussion. Communication Quarterly 61:4, pages 375-396.
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BethA. Messner, Art Jipson, PaulJ. Becker & Bryan Byers. (2007) The Hardest Hate: A Sociological Analysis of Country Hate Music. Popular Music and Society 30:4, pages 513-531.
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LeeB. Cooper. (2007) Good Timin': Searching for Meaning in Clock Songs. Popular Music and Society 30:1, pages 93-106.
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Sheryl Hurner. (2006) Discursive Identity Formation of Suffrage Women: Reframing the “Cult of True Womanhood” Through Song. Western Journal of Communication 70:3, pages 234-260.
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Deanna Sellnow & Timothy Sellnow. (2001) The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication. Critical Studies in Media Communication 18:4, pages 395-415.
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DeannaD. Sellnow. (1999) Music as Persuasion: Refuting Hegemonic Masculinity in “He Thinks He'll Keep Her”. Women's Studies in Communication 22:1, pages 66-84.
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Robert James Branham. (1999) “God save the_____!” American national songs and national identities, 1760–1798. Quarterly Journal of Speech 85:1, pages 17-37.
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KerranL. Sanger. (1997) Functions of freedom singing in the civil rights movement: The activists' implicit rhetorical theory. Howard Journal of Communications 8:2, pages 179-195.
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Paula Wilson. (1996) The rhythm of rhetoric: Jesse Jackson at the 1988 democratic national convention. Southern Communication Journal 61:3, pages 253-264.
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Karen Rasmussen. (1994) Transcendence in Leonard Bernstein's Kaddish symphony . Quarterly Journal of Speech 80:2, pages 150-173.
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DeannaD. Sellnow & TimothyL. Sellnow. (1993) John Corigliano's “Symphony No. 1” as a communicative medium for the AIDS crisis. Communication Studies 44:2, pages 87-101.
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CharlesJ. Stewart. (1991) The ego function of protest songs: An application of Gregg's theory of protest rhetoric. Communication Studies 42:3, pages 240-253.
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Kenneth J. Bindas & Craig Houston. (1989) “Takin’ Care of Business”: Rock Music, Vietnam and the Protest Myth. The Historian 52:1, pages 1-23.
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JefferyJ. Mondak. (1988) Protest music as political persuasion. Popular Music and Society 12:3, pages 25-38.
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IrvingJ. Rein & CraigM. Springer. (1986) Critical response and reply. Critical Studies in Mass Communication 3:2, pages 252-256.
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CarlB. Holmberg. (1984) On the rhetoric of popular song: “Y'ain't juzz whizzlin’ ‘dixie’ “. Popular Music and Society 9:4, pages 27-33.
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Alberto Gonzalez & JohnJ. Makay. (1983) Rhetorical ascription and the gospel according to Dylan. Quarterly Journal of Speech 69:1, pages 1-14.
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ElizabethJ. Kizer. (1983) Protest song lyrics as rhetoric. Popular Music and Society 9:1, pages 3-11.
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Articles from other publishers (10)

Frank Mehring. 2021. Crime and Music. Crime and Music 87 100 .
José-María Esteve-Faubel, Tania Josephine Martin & Rosa-Pilar Esteve-Faubel. (2018) Protest songs about the Iraq War: An effective trigger for critical reflection?. Education, Citizenship and Social Justice 14:2, pages 179-195.
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Tyler SonnichsenTyler Sonnichsen. 2019. Capitals of Punk. Capitals of Punk 127 155 .
Tyler SonnichsenTyler Sonnichsen. 2019. Capitals of Punk. Capitals of Punk 9 43 .
Zeny Sarabia-Panol & Rosario Maxino-Baseleres. 2017. Music as a Platform for Political Communication. Music as a Platform for Political Communication 1 30 .
Eithan Orkibi. (2013) Critique et engagement dans la rhétorique des mouvements sociauxCriticism and Commitment in Social Movement Rhetoric. Argumentation et analyse du discours:11.
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DONNALYN POMPPER, SUEKYUNG LEE & SHANA LERNER. (2009) Gauging Outcomes of the 1960s Social Equality Movements: Nearly Four Decades of Gender and Ethnicity on the Cover of the Rolling Stone Magazine . The Journal of Popular Culture 42:2, pages 273-290.
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. (1997) Bibliographies. Journal of Popular Music Studies 9-10:1, pages 301-301.
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Stephen King & Richard J. Jensen. (2004) Bob Marley's “Redemption Song”: The Rhetoric of Reggae and Rastafari. The Journal of Popular Culture 29:3, pages 17-36.
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Gilbert B. Rodman. (1990) Everyday I Write the Book: A Bibliography of (Mostly) Academie Work on Rock and Pop Music. Journal of Popular Music Studies 3:1, pages 18-39.
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