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Original Articles

Identities on Stage and Staging Identities: ChicanoBrujo Performances as Emancipatory Practices

Pages 58-83 | Published online: 01 Dec 2006

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Read on this site (9)

Stacey K. Sowards. (2023) The (Under)Commons across the Américas: Connecting Spaces for Fugitivity and Futurity. Rhetoric Society Quarterly 53:3, pages 301-315.
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Articles from other publishers (4)

Vonzell Agosto, LaSonja Roberts, María Migueliz Valcarlos, Tara Nkrumah, Tanetha Grosland, Andrew Bratspis, Nathalie Warren & Edwin Reynolds. (2021) Jokering Bodies. International Review of Qualitative Research 14:4, pages 708-727.
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Judith Hamera. (2021) Counterpublic Goods in Interesting Times: Transitional Subjectivities Onstage at Highways Performance Space, 1989–1993. Theatre Survey 63:1, pages 90-114.
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The Ethnogs, Fem Nogs & Rip Tupp. (2011) Performing Mythic Identity: An Analysis and Critique of “The Ethnogs”. Qualitative Inquiry 17:7, pages 664-674.
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Bernadette Marie Calafell & Shane T. Moreman. 2010. The Handbook of Critical Intercultural Communication. The Handbook of Critical Intercultural Communication 400 416 .

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