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RESEARCH REPORTS

Performing Civil Death: The Medea Project and Theater for Incarcerated Women

Pages 260-275 | Published online: 06 Nov 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (2)

Sarah Woodland & Rand Hazou. (2021) Carcerality, theatre, rights. Research in Drama Education: The Journal of Applied Theatre and Performance 26:3, pages 385-405.
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Jenna Dreier. (2021) Decolonising pedagogies in prison performance programmes: making Shakespeare secondary. Research in Drama Education: The Journal of Applied Theatre and Performance 26:3, pages 477-493.
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Articles from other publishers (6)

Sarah Woodland. (2021) Prison Theatre and an Embodied Aesthetics of Liberation: Exploring the Potentials and Limits. Humanities 10:3, pages 101.
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Lynn M. Harter, Stephanie M. Pangborn, Margaret M. Quinlan, Taylor Walker & Courtney Hook. 2020. The Handbook of Applied Communication Research. The Handbook of Applied Communication Research 799 824 .
Aylwyn Mae Walsh. (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture: An International Journal 12:3, pages 309-326.
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Madeline Fox. (2015) Embodied Methodologies, Participation, and the Art of Research. Social and Personality Psychology Compass 9:7, pages 321-332.
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Eleanor M. Novek. 2014. Gendered Perspectives On Conflict And Violence: Part B. Gendered Perspectives On Conflict And Violence: Part B 195 223 .
Eleanor M. Novek. 2014. Gendered Perspectives on Conflict and Violence: Part B. Gendered Perspectives on Conflict and Violence: Part B 195 223 .

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