Citations (9)
Keep up to date with the latest research on this topic with citation updates for this article.
Read on this site (2)
Mihaela Petrescu. (2020) New Romanian Cinema, women’s self-empowerment, and hegemonic masculinity: Female figures in Cristian Mungiu’s Occident (2002) and Radu Muntean’s Boogie (2008). Studies in European Cinema 17:1, pages 51-65.
Read now
Read now
Adina Schneeweis. (2013) Empowered Leaders and Alone in Community: Stories of Romanian Roma Health Mediators. Women's Studies in Communication 36:2, pages 167-188.
Read now
Read now
Articles from other publishers (7)
Adriana CordaliAdriana Cordali. 2023. Visual Rhetorics of Communist Romania. Visual Rhetorics of Communist Romania
187
217
.
Adriana CordaliAdriana Cordali. 2023. Visual Rhetorics of Communist Romania. Visual Rhetorics of Communist Romania
47
76
.
Jane Parpart. (2019) Rethinking silence, gender, and power in insecure sites: Implications for feminist security studies in a postcolonial world. Review of International Studies 46:3, pages 315-324.
Crossref
Crossref
Mehmet AYTEKİN. (2020) Politik Kamera: Rumen Yeni Dalga Sinemasında Bakışın İdeolojikleşmesi ve Kadın Bedeninin Temsili | Political Camera: The Ideologization of View in Romanian New Wave Cinema and Representation of Women’s BodyPolitical Camera: The Ideologization of View in Romanian New Wave Cinema and Representation of Women’s Body. Akdeniz Kadın Çalışmaları ve Toplumsal Cinsiyet Dergisi 3:1, pages 30-60.
Crossref
Crossref
Adriana Cordali Gradea. (2018)
A psychoanalytical approach to Cristian Mungiu’s
4 Months, 3 Weeks and 2 Days
. Journal of European Studies 48:3-4, pages 295-307.
Crossref
Crossref
Adina Schneeweis. (2015) Power, Gender, and Ethnic Spaces. Journal of Communication Inquiry 40:1, pages 88-105.
Crossref
Crossref
Alina Haliliuc. (2015)
What Is So Funny about
The Death of Mr. Lăzărescu
?
. The Journal of Popular Culture 48:1, pages 154-167.
Crossref
Crossref