Citations: The politics of the polyphony of performance: Musicalization in contemporary German theatre 1

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Tony Gardner. (2012) Signs of the Times: Structures and signatures. Performance Research 17:5, pages 47-53.
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Adrian Curtin. (2012) The art music of theatre: Howard Barker as sound designer. Studies in Theatre and Performance 32:3, pages 269-284.
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Michael David Pinchbeck & Kevin Egan. (2022) Staging Scores: Devising Contemporary Performances from Classical Music. Open Library of Humanities 8:1.
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Tobias Pontara & Ulrik Volgsten. 2017. Dynamics Of Mediatization. Dynamics Of Mediatization 247 269 .

Katharina Pewny. (2014) Tracing the Other in the Theatre of the Precarious (Lola Arias, Elfriede Jelinek, Meg Stuart, Wajdi Mouawad, Christoph Marthaler). arcadia 49:2.
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The politics of the polyphony of performance: Musicalization in contemporary German theatreFootnote¹
I would like to thank Nita Schechet and Jessica Berson for their patient advice and meticulous corrections. All remaining flaws, however, are mine.

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The politics of the polyphony of performance: Musicalization in contemporary German theatreFootnote1I would like to thank Nita Schechet and Jessica Berson for their patient advice and meticulous corrections. All remaining flaws, however, are mine.

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The politics of the polyphony of performance: Musicalization in contemporary German theatreFootnote¹
I would like to thank Nita Schechet and Jessica Berson for their patient advice and meticulous corrections. All remaining flaws, however, are mine.