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Articles

(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment

Pages 328-340 | Published online: 09 Jul 2008

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Eliza Burke. (2012) REFLECTIONS ON THE WAIF. Australian Feminist Studies 27:71, pages 37-54.
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Maninder Singh. (2023) Gendered body in the pursuit of equality: An Irigarayan reading of Sarah Kane. Social Sciences & Humanities Open 8:1, pages 100635.
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Louise LePage. (2014) Rethinking Sarah Kane’s Characters: A Human(ist) Form and Politics. Modern Drama 57:2, pages 252-272.
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. (2014) The Acousmatic Voice as the Chiasmatic Flesh. symplokē 22:1-2, pages 235-273.
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Antje Diedrich. (2013) “Last in a Long Line of Literary Kleptomaniacs”: Intertextuality in Sarah Kane’s 4.48 Psychosis . Modern Drama 56:3, pages 374-398.
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Cristina Delgado-García. (2012) Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane’s Cleansed, Crave, and 4.48 Psychosis . Modern Drama 55:2, pages 230-250.
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