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Quarterly Review of Film and Video Volume 11, 1989 - Issue 1: Female Representation and Consumer Culture
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Original Articles

The queen Christina tie‐ups: Convergence of show window and screen

Jane Gaines Assistant Professor of English, Duke University, Durham, North Carolina, 27706
Pages 35-60 | Published online: 05 Jun 2009

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Paul Jobling. (2014) “Cloth for Men”: Masculine Identities and Haptic Visuality in Advertising for Dormeuil Tonik, 1968–75. TEXTILE 12:2, pages 140-157.
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Articles from other publishers (39)

Sarah Gilligan & Jacky Collins. (2021) Fashion-forward killer: Villanelle, costuming and queer style in Killing Eve. Film, Fashion & Consumption 10:2, pages 353-376.
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Caroline Evans & Jussi Parikka. (2020) Introduction: touch, click and motion: archaeologies of fashion film after digital culture. Journal of Visual Culture 19:3, pages 323-339.
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Kristina Köhler. 2020. Handbuch Filmanalyse. Handbuch Filmanalyse 131 155 .
. (2018) From the Editor. Theatre Survey 60:1, pages 1-5.
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Kristian MoenKristian Moen. 2019. New York's Animation Culture. New York's Animation Culture 169 206 .
Paul Jobling. (2018) Fashion/Photo/Film: The Intertextual Discourse of Funny Face (1956). Fashion Studies 1:1, pages 1-33.
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Kristina Köhler. 2019. Handbuch Filmtheorie. Handbuch Filmtheorie 1 26 .
Susan BennettMarlis Schweitzer. (2014) In the Window at Disney: A Lifetime of Brand Desire. TDR/The Drama Review 58:4, pages 23-31.
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Marlis Schweitzer. (2009) “DARN THAT MERRY WIDOW HAT”: THE ON- AND OFFSTAGE LIFE OF A THEATRICAL COMMODITY, CIRCA 1907–1908. Theatre Survey 50:2, pages 189-221.
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Lauren Berlant. 2008. The Female Complaint. The Female Complaint 319 346 .
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Annamari Vänskä. (2016) Why are there no lesbian advertisements?. Feminist Theory 6:1, pages 67-85.
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Anna McCarthy. 2001. Ambient Television. Ambient Television 287 304 .
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