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Quarterly Review of Film and Video Volume 12, 1990 - Issue 3: Phenomenology in Film and Television
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Original Articles

The active eye: A phenomenology of cinematic vision

Vivian Sobchack Professor of Theater Arts/Film Studies and Director of the Arts Division, University of California, Santa Cruz
Pages 21-36 | Published online: 05 Jun 2009

Citations (21)

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Read on this site (6)

Lama Bilal Abuhassan & Kifah (Moh’D Khair) Ali Al Omari. (2021) Panoptical forms in thriller films. Visual Studies 36:4-5, pages 463-473.
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David Redmon. (2018) Video Methods, Green Cultural Criminology, and the Anthropocene: SANCTUARY as a Case Study. Deviant Behavior 39:4, pages 495-511.
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Victoria Grace Walden. (2016) Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz's Kornblumenblau. Holocaust Studies 22:2-3, pages 256-273.
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Daniel Morgan. (2016) Where are we?: camera movements and the problem of point of view. New Review of Film and Television Studies 14:2, pages 222-248.
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Adam O'Brien. (2012) When a film remembers its filming: The New Hollywood zoom. Journal of Media Practice 13:3, pages 227-237.
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Jennifer M. Barker. (2009) Neither here nor there: synaesthesia and the cosmic zoom. New Review of Film and Television Studies 7:3, pages 311-324.
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Articles from other publishers (15)

Luciana Tamas & Eckart Voigts. 2023. Penny Dreadful and Adaptation. Penny Dreadful and Adaptation 87 104 .
Stuart Marshall Bender & Mick BroderickStuart Marshall Bender & Mick Broderick. 2021. Virtual Realities. Virtual Realities 197 210 .
Stuart Marshall Bender & Mick BroderickStuart Marshall Bender & Mick Broderick. 2021. Virtual Realities. Virtual Realities 1 26 .
Jose Cañas-Bajo, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri Valtanen & Pertti Saariluoma. (2019) Designing a New Method of Studying Feature-Length Films. Projections 13:3, pages 53-78.
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Deborah N Brewis & Eley Williams. (2018) Writing as skin: Negotiating the body in(to) learning about the managed self. Management Learning 50:1, pages 87-99.
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Victoria Grace WaldenVictoria Grace Walden. 2019. Cinematic Intermedialities and Contemporary Holocaust Memory. Cinematic Intermedialities and Contemporary Holocaust Memory 13 69 .
Paolo S. H. FaveroPaolo S. H. Favero. 2018. The Present Image. The Present Image 43 75 .
Adam O’Brien. 2017. The Long Take. The Long Take 117 132 .
Troy BordunTroy Bordun. 2017. Genre Trouble and Extreme Cinema. Genre Trouble and Extreme Cinema 1 28 .
Çağrı İNCEOĞLU. (2015) Devingen Mizansenden Huzursuz Kameraya: Yeşilçam’da Zum. Akdeniz Üniversitesi İletişim Fakültesi Dergisi:23, pages 9-25.
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J.P. Sniadecki. (2014) C haiqian/ D emolition: Reflections on Media Practice . Visual Anthropology Review 30:1, pages 23-37.
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Timothy Crick. (2010) The Game Body: Toward a Phenomenology of Contemporary Video Gaming. Games and Culture 6:3, pages 259-269.
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Rebecca Leydon. (2001) Debussy's Late Style and the Devices of the Early Silent Cinema. Music Theory Spectrum 23:2, pages 217-241.
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Mike Crang. (2016) Picturing practices: research through the tourist gaze. Progress in Human Geography 21:3, pages 359-373.
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Roger N. Lancaster. (1996) Coming-Out Stories: Recent Videos on Gay and Lesbian Themes. American Anthropologist 98:3, pages 604-616.
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