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Original Articles

Comic strips: A rhetorical perspective

Pages 24-35 | Published online: 22 May 2009

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Read on this site (8)

Heather Brook Adams. (2014) Visual Style and the Looking Subject: Nell Brinkley’s Illustrations of Modern Womanhood. Women's Studies in Communication 37:1, pages 90-110.
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Wendy Siuyi Wong & LisaM. Cuklanz. (2002) Critiques of Gender Ideology: Women comic artists and their work in Hong Kong. Journal of Gender Studies 11:3, pages 253-266.
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WilliamL. Benoit & Diane Hirson. (2001) Doonesbury versus the tobacco institute: The smoke starters' coupon. Communication Quarterly 49:3, pages 279-294.
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DavidF. Donnelly & JanisL. Edwards. (1996) ‘Television is a Funny Business’ (1946): a collection of cartoons assembled by Dr Allen B. DuMont and privately printed for his friends . Historical Journal of Film, Radio and Television 16:3, pages 427-443.
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DeniseM. Bostdorff. (1987) Making light of James Watt: A Burkean approach to the form and attitude of political cartoons. Quarterly Journal of Speech 73:1, pages 43-59.
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MartinJ. Medhurst & MichaelA. Desousa. (1981) Political cartoons as rhetorical form: A taxonomy of graphic discourse. Communication Monographs 48:3, pages 197-236.
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RobertL. Schrag, RichardA. Hudson & LawranceM. Bernabo. (1981) Television's new humane collectivity. Western Journal of Speech Communication 45:1, pages 1-12.
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Articles from other publishers (3)

Randy Duncan. 2021. What Political Science Can Learn from the Humanities. What Political Science Can Learn from the Humanities 259 286 .
Ernest G. Bormann, John F. Cragan & Donald C. Shields. (2001) Chapter 8: Three Decades of Developing, Grounding, and Using Symbolic Convergence Theory (SCT). Communication Yearbook 25:1, pages 271-313.
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Ernest G. Bormann, John F. Craan & Donald C. Shields. (1994) In Defense of Symbolic Convergence Theory: A Look at The Theory and Its Criticisms After Two Decades. Communication Theory 4:4, pages 259-294.
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