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The Journal of Arts Management, Law, and Society Volume 48, 2018 - Issue 5

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“Do We Have LIFT-Off?” Social Media Marketing and Digital Performance at a British Arts Festival

Sam MilesQueen Mary University of London, London, United KingdomCorrespondence[email protected]

Pages 305-320 | Published online: 11 Oct 2017

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https://doi.org/10.1080/10632921.2017.1366379
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Citations (6)

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Jenny Kidd, Eva Nieto McAvoy & Ania Ostrowska. (2022) Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic. Cultural Trends 0:0, pages 1-18.
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Peter Booth & Sigrid Røyseng. (2022) Artists and Online Dissemination: An Analysis of Positions and Position-Takings. The Journal of Arts Management, Law, and Society 52:4, pages 266-285.
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Stephen Faber, Marié-Heleen Coetzee & Marth Munro. (2020) The mediality of pre-recorded digital performing arts on YouTube: a skills-development module. South African Theatre Journal 33:2-3, pages 87-105.
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Bernadette Quinn. (2019) A comment on: arts festivals, urban tourism and cultural policy. Journal of Policy Research in Tourism, Leisure and Events 11:sup1, pages s8-s12.
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Articles from other publishers (2)

Jane Ali-Knight, Gary Kerr, Hannah Stewart & Kirsten Holmes. (2023) Festival hiatus, resilience and innovation during COVID-19: learnings from the Edinburgh festivals. International Journal of Event and Festival Management 14:2, pages 170-188.
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Brighton Nyagadza. (2022) Search engine marketing and social media marketing predictive trends. Journal of Digital Media & Policy 13:3, pages 407-425.
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