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The Journal of Arts Management, Law, and Society Volume 50, 2020 - Issue 1
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Articles

Cultural Entrepreneurship Using the Example of Uli Sigg as Patron and Mediator of Contemporary Chinese Art

Diana BetzlerZHAW Zurich University of Applied Sciences, Winterthur, SwitzerlandCorrespondence[email protected]
&
Rachel CaminaZHAW Zurich University of Applied Sciences, Winterthur, Switzerland
Pages 1-15 | Published online: 23 Sep 2019

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Read on this site (6)

Qiong Bai & Benjamin H. Nam. (2023) Symbolic power for student curators as social agents: the emergence of the museum of World Languages at Shanghai International Studies University during the COVID-19 era. Museum Management and Curatorship 38:3, pages 317-341.
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Qiong Bai & Benjamin H. Nam. (2022) Where ‘West Meets East’: the cross-cultural discourses regarding the Chinese arts collections at the Metropolitan Museum of Art. Identities 29:6, pages 883-902.
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Amy Whitaker. (2022) Generous and Ungenerous Contracts: Case Study of the Artist William Powhida’s Grevsky and Store-to-Own Contracts. The Journal of Arts Management, Law, and Society 52:3, pages 143-168.
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Fabio Rojas & Peter Lista. (2022) A Sociological Theory of Contemporary Art Collectors. The Journal of Arts Management, Law, and Society 52:2, pages 88-100.
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Shuchen Wang. (2021) Foreign (In)Direct Investment in Chinese Contemporary Art Game: The Case Studies of Uli Sigg, Guy Ullens and beyond, 1989-2013. The Journal of Arts Management, Law, and Society 51:5, pages 291-306.
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Qiong Bai & Benjamin H. Nam. (2020) Capitalism and Reproduction in the New Museology: The Power Discourses about Chinese Cultural Heritage at the Metropolitan Museum of Art. The Journal of Arts Management, Law, and Society 50:4-5, pages 267-282.
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Articles from other publishers (1)

Konstantinos Andriotis & Pavlos Paraskevaidis. (2022) Artist residencies as specialist accommodation: cultural entrepreneurship during the COVID-19 pandemic. International Journal of Contemporary Hospitality Management 35:5, pages 1738-1758.
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