Perpetual and Pleasurable Marginality: White Masculine Victimhood Appropriation and Black Masculine Sacrifice in Marvel’s Netflix Series The Punisher

Linsay M. Cramera Department of Communication, Media, & Culture, Coastal Carolina University, Conway, South Carolina, USACorrespondence[email protected]

https://orcid.org/0000-0003-3117-6132

Gabriel A. Cruzb Department of Mass Communication, North Carolina Central University, Durham, North Carolina, USA

Andrew R. Donofrioc Performance and Communication Arts Department, St. Lawrence University, Canton, New York, USA

https://orcid.org/0000-0002-4784-9760

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Courtney J. Dreyer. (2023) The right to believe: constructions of white Christian victimhood in the God’s Not Dead series. Critical Studies in Media Communication 40:4, pages 242-255.
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Linsay M. Cramer & Gabriel A. Cruz. (2023) Black monstrosity and the rhetoric of whiteness in Disney’s Zombies trilogy. Critical Studies in Media Communication 40:4, pages 256-269.
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Perpetual and Pleasurable Marginality: White Masculine Victimhood Appropriation and Black Masculine Sacrifice in Marvel’s Netflix Series The Punisher

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Perpetual and Pleasurable Marginality: White Masculine Victimhood Appropriation and Black Masculine Sacrifice in Marvel’s Netflix Series The Punisher

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