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Howard Journal of Communications Volume 8, 1997 - Issue 2: Culture and Public Persuasion
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Original Articles

Functions of freedom singing in the civil rights movement: The activists' implicit rhetorical theory

Kerran L. Sanger Department of Communication, Buffalo State College, 206 Bishop Hall, Buffalo, NY, 14222, USA E-mail: [email protected]
Pages 179-195 | Received 04 Jan 1995, Accepted 05 Nov 1996, Published online: 27 Feb 2009

Citations (6)

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Read on this site (3)

Keya Saxena. (2023) That’s a ‘Sign’!: How Placards Communicated Disapproval of the Citizenship Amendment Act (CAA) in India. Communication Studies 74:4, pages 322-336.
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MarkP. Orbe. (2005) “The More Things Change…:” Civil Rights Health Assessment in a ‘Majority-Minority’ U.S. Community. Howard Journal of Communications 16:3, pages 177-199.
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WilliamD. Harpine. (2004) “We want yer, McKinley”: Epbdeictic rhetoric in songs from the 1896 presidential campaign. Rhetoric Society Quarterly 34:1, pages 73-88.
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Articles from other publishers (3)

Joke Bradt, Marisol Norris, Minjung Shim, Edward J. Gracely & Patricia Gerrity. (2016) Vocal Music Therapy for Chronic Pain Management in Inner-City African Americans: A Mixed Methods Feasibility Study. Journal of Music Therapy 53:2, pages 178-206.
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David D. Perlmutter & Gretchen L. Wagner. (2016) The anatomy of a photojournalistic icon: marginalization of dissent in the selection and framing of ‘a death in Genoa’. Visual Communication 3:1, pages 91-108.
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Margaret M. Unwin, Dianna T. Kenny & Pamela J. Davis. (2016) The Effects of Group Singing on Mood. Psychology of Music 30:2, pages 175-185.
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