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Identities
Global Studies in Culture and Power
Volume 21, 2014 - Issue 1: Artistic separation versus artistic mixing in European multicultural cities
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A contested terrain: immigrants and their descendants in Viennese culture

Wiebke SieversInstitute for Urban and Regional Research, Austrian Academy of Sciences, Postgasse 7/4/2, 1010Vienna, AustriaCorrespondence[email protected]
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Pages 26-41 | Received 02 Jul 2012, Published online: 15 Aug 2013

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Read on this site (2)

Michael Parzer. (2021) Double burden of representation: how ethnic and refugee categorisation shapes Syrian migrants’ artistic practices in Austria. Journal of Ethnic and Migration Studies 47:11, pages 2459-2476.
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Ayse Çağlar. (2016) Still ‘migrants’ after all those years: foundational mobilities, temporal frames and emplacement of migrants. Journal of Ethnic and Migration Studies 42:6, pages 952-969.
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Articles from other publishers (5)

Michael Parzer. (2023) On Becoming an Artist Anew: Refugees’ Arrival in the Field of Cultural Production in Austria. Journal of Refugee Studies.
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Anna Prashizky & Larissa Remennick. (2016) Celebrating Memory and Belonging: Young Russian Israelis Claim Their Unique Place in Tel-Aviv’s Urban Space. Journal of Contemporary Ethnography 47:3, pages 336-366.
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Ayşe Çağlar. 2018. Migration, Temporality, and Capitalism. Migration, Temporality, and Capitalism 21 41 .
Anna Prashizky & Larissa Remennick. (2020) Weddings in the Town Square: Young Russian Israelis Protest the Religious Control of Marriage in Tel–Aviv. City & Community 15:1, pages 44-63.
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Michael Parzer & Florian J. Huber. (2015) Migrant Businesses And The Symbolic Transformation Of Urban Neighborhoods: Towards a Research Agenda. International Journal of Urban and Regional Research 39:6, pages 1270-1278.
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