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Original Articles

Modes of Reception: A Consolidated Analytical Framework

Pages 181-222 | Published online: 23 Aug 2007

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (9)

Triin Vihalemm, Jānis Juzefovičs & Marianne Leppik. (2019) Identity and Media-use Strategies of the Estonian and Latvian Russian-speaking Populations Amid Political Crisis. Europe-Asia Studies 71:1, pages 48-70.
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Arezou Zalipour, Carolyn Michelle & Ann Hardy. (2014) Modes of Engagement Among Diasporic Audiences of Asian New Zealand Film. The Communication Review 17:4, pages 311-335.
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Carolyn Michelle, Charles H. Davis & Florin Vladica. (2012) Understanding Variation in Audience Engagement and Response: An Application of the Composite Model to Receptions of Avatar (2009). The Communication Review 15:2, pages 106-143.
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Floris Müller & Joke Hermes. (2010) The Performance of Cultural Citizenship: Audiences and the Politics of Multicultural Television Drama. Critical Studies in Media Communication 27:2, pages 193-208.
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Andy Ruddock. (2008) Media Studies on Fire: Audiences, Reception, and the Experience of Antisocial Behavior. Popular Communication 6:4, pages 248-261.
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Articles from other publishers (27)

Maël Alonzo. (2023) Interpréter la violence contestataire en Seine-Saint-Denis. Politiques de communication N° 18:1, pages 5-34.
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Nadia Van der Merwe. (2022) appeal of 7de Laan. Communicare: Journal for Communication Studies in Africa 31:1, pages 36-58.
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Julian Matthews & Haida Baba Zain. (2022) Creating one nation? Ethno‐national imaginaries, audiences and the critical reception of TV nation branding messages. Nations and Nationalism 28:4, pages 1296-1310.
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Merinnage Nelani De Costa. (2022) Teaching and Learning of Queer Representation in Sri Lankan English Fiction: A Reception Study within Higher Education Institutions of Sri Lanka. Education Research International 2022, pages 1-15.
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Serena Daalmans, Mariska Kleemans, Cedra Van Erp & Addy Weijers. (2022) All the reasons why: Exploring the relationship between morally controversial content in 13 Reasons Why and viewers' moral rumination. Frontiers in Communication 7.
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Tilo Hartmann & Matthias Hofer. (2022) I Know It Is Not Real (And That Matters) Media Awareness vs. Presence in a Parallel Processing Account of the VR Experience. Frontiers in Virtual Reality 3.
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Martin Lundqvist. (2020) Nep-hop for peace? Political visions and divisions in the booming Nepalese hip-hop scene. International Journal of Cultural Studies 24:3, pages 454-469.
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John L. Sullivan. 2007. The Blackwell Encyclopedia of Sociology. The Blackwell Encyclopedia of Sociology 1 6 .
Felix Frey & Benjamin Krämer. 2020. How We Use the Media. How We Use the Media 187 206 .
Felix Frey & Benjamin Krämer. 2020. How We Use the Media. How We Use the Media 1 18 .
Gilbert Tietaah, Margaret Amoakohene & Damasus Tuurusong. (2019) Radio Redux: Audience Participation and the Reincarnation of Radio for Development in Africa. Journal of Developing Societies 35:2, pages 282-302.
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Magnus H. Iversen. 2018. Rhetorical Audience Studies and Reception of Rhetoric. Rhetorical Audience Studies and Reception of Rhetoric 109 134 .
Carolyn Michelle, Charles H Davis, Craig Hight & Ann L Hardy. (2015) The Hobbit hyperreality paradox . Convergence: The International Journal of Research into New Media Technologies 23:3, pages 229-250.
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Liesbet van Zoonen. 2017. The International Encyclopedia of Media Effects. The International Encyclopedia of Media Effects 1 12 .
Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. (2016) Pleasure, disaffection, ‘conversion’ or rejection? The (limited) role of prefiguration in shaping audience engagement and response. International Journal of Cultural Studies 20:1, pages 65-82.
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Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig HightCarolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. 2017. Fans, Blockbusterisation, and the Transformation of Cinematic Desire. Fans, Blockbusterisation, and the Transformation of Cinematic Desire 217 258 .
Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig HightCarolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. 2017. Fans, Blockbusterisation, and the Transformation of Cinematic Desire. Fans, Blockbusterisation, and the Transformation of Cinematic Desire 159 184 .
Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig HightCarolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. 2017. Fans, Blockbusterisation, and the Transformation of Cinematic Desire. Fans, Blockbusterisation, and the Transformation of Cinematic Desire 109 131 .
Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig HightCarolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. 2017. Fans, Blockbusterisation, and the Transformation of Cinematic Desire. Fans, Blockbusterisation, and the Transformation of Cinematic Desire 23 52 .
Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig HightCarolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. 2017. Fans, Blockbusterisation, and the Transformation of Cinematic Desire. Fans, Blockbusterisation, and the Transformation of Cinematic Desire 259 285 .
Merel van Ommen, Serena Daalmans, Addy Weijers, Rebecca N.H. de Leeuw & Moniek Buijzen. (2016) Analyzing prisoners’, law enforcement agents’, and civilians’ moral evaluations of The Sopranos. Poetics 58, pages 52-65.
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Carolyn Michelle & Charles H. Davis. 2012. The International Encyclopedia of Media Studies. The International Encyclopedia of Media Studies 112 134 .
Florian Toepfl. (2013) Making Sense of the News in a Hybrid Regime: How Young Russians Decode State TV and an Oppositional Blog. Journal of Communication 63:2, pages 244-265.
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Halliki Harro‐Loit, Triin Vihalemm & Kadri Ugur. (2011) Cultural Experience as a (Critical) Factor in Crisis Communication Planning. Journal of Contingencies and Crisis Management 20:1, pages 26-38.
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Karin Knop. 2012. Ungleichheit. Ungleichheit 121 149 .
Rens VliegenthartLiesbet van Zoonen. (2011) Power to the frame: Bringing sociology back to frame analysis. European Journal of Communication 26:2, pages 101-115.
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Evan Cooper. (2008) Looking at the Latin “Freak”: Audience Reception of John Leguizamo's Culturally Intimate Humor. Latino Studies 6:4, pages 436-455.
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