Citations (11)
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Read on this site (5)
Rachael Gunn. (2022) Where the #bgirls at? politics of (in)visibility in breaking culture. Feminist Media Studies 22:6, pages 1447-1462.
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Yomi Olusegun-Joseph. (2020) Singing the Body: Postmodern Orality and the Female Body in the Nigerian Hip Hop Nation. Contemporary Music Review 39:1, pages 117-136.
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Matthew Ming-tak Chew & Sophie Pui Sim Mo. (2019) Towards a Chinese Hip-hop Feminism and a Feminist Reassessment of Hip-hop with Breakdance: B-girling in Hong Kong, Taiwan and China. Asian Studies Review 43:3, pages 455-474.
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Tanya Saunders. (2016) Towards a transnational hip-hop feminist liberatory praxis: a view from the Americas. Social Identities 22:2, pages 178-194.
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Elaine Richardson & Gwendolyn Pough. (2016) Hiphop literacies and the globalization of Black popular culture. Social Identities 22:2, pages 129-132.
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Articles from other publishers (6)
Stefano Barone. 2023. The Handbook of Media and Culture in the Middle East. The Handbook of Media and Culture in the Middle East
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Rachael Gunn, Susie Khamis & Steve Collins. 2022. Bodies, Noise and Power in Industrial Music. Bodies, Noise and Power in Industrial Music
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Polly Withers. (2021) Digital feminisms in Palestinian hip hop. Global Hip Hop Studies 2:2, pages 159-177.
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Rebeca Sobral Freire. 2018. Hip-hop feminista? Convenções de gênero e feminismos no movimento Hip-hop soteropolitano. Hip-hop feminista? Convenções de gênero e feminismos no movimento Hip-hop soteropolitano.
Saba A. Le Renard. (2017) Petits arrangements avec l’égalitarisme. Genèses n° 109:4, pages 118-138.
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Amélie Le Renard. (2016) « Ici, il y a les Français français et les Français avec origines » : reconfigurations raciales autour d’expériences de Dubaï« Here, there are French French people and French people with origins » : what experiences of Dubai reveal about racial reconfigurations. Tracés:30, pages 55-78.
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