Citations (48)
Keep up to date with the latest research on this topic with citation updates for this article.
Read on this site (14)
Tamsyn Dent, Roberta Comunian & Jessica Tanghetti. (2023) Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy. Cultural Trends 0:0, pages 1-18.
Read now
Read now
Luca Antoniazzi & Cathrin Helen Bengesser. (2023) Media-political inroads for Europeanising national cultural public spheres: EU-level obstacles and national public service perspectives. International Journal of Cultural Policy 29:3, pages 360-376.
Read now
Read now
Anne O’ Brien & Sarah Arnold. (2022) Creative industries’ new entrants as equality, diversity and inclusion change agents?. Cultural Trends 0:0, pages 1-15.
Read now
Read now
Walter van Andel & Ellen Loots. (2022) Measures for the betterment of the labor market position of non-standard working regimes in the cultural and creative sector in the Netherlands. International Journal of Cultural Policy 28:4, pages 431-445.
Read now
Read now
Sven Brodmerkel & Richie Barker. (2022) Making sense of ‘ambiguous ageism’: a multi-level perspective on age inequality in the advertising industry. Creative Industries Journal 15:2, pages 121-145.
Read now
Read now
Carmen Urpí, Charo Reparaz & Fernando Echarri. (2022) Measuring the Rothko experience in school visitors to modern art museums. The Journal of Educational Research 115:2, pages 173-186.
Read now
Read now
Anthony Y. H. Fung & Boris L. F. Pun. (2021) The transforming Hong Kong polarized cultural identities: the cultural dynamic and relocation of Hong Kong cultural production. Social Identities 27:3, pages 292-306.
Read now
Read now
Mark Banks. (2018) Creative economies of tomorrow? Limits to growth and the uncertain future. Cultural Trends 27:5, pages 367-380.
Read now
Read now
Kate Booth & Justin O’Connor. (2018) Planning for creative effects: the Museum of Old and New Art. Australian Planner 55:2, pages 65-72.
Read now
Read now
Peter Campbell, Tamsin Cox & Dave O’Brien. (2017) The social life of measurement: how methods have shaped the idea of culture in urban regeneration. Journal of Cultural Economy 10:1, pages 49-62.
Read now
Read now
David Lee. (2017) Cyberfactories: how news agencies produce news. International Journal of Cultural Policy 23:1, pages 122-126.
Read now
Read now
Dave O’Brien, Daniel Laurison, Andrew Miles & Sam Friedman. (2016) Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey. Cultural Trends 25:2, pages 116-131.
Read now
Read now
Sabina Pultz & Katia Dupret. Emotional status and emotional labour: exploring the emotional labour among casualised and tenured knowledge workers. Culture and Organization 0:0, pages 1-21.
Read now
Read now
Neil Percival. The first two years: lessons for educators from UK entry-level workers in film and TV. Journal of Education and Work 0:0, pages 1-18.
Read now
Read now
Articles from other publishers (34)
Kathy Williams. (2023) Loving cultural work at Southbank Centre: Evolutions of emotional, embodied, collaborative labour. European Journal of Cultural Studies 26:3, pages 446-463.
Crossref
Crossref
Luca Antoniazzi. (2022) VoD platforms and the diversity of European culture: The case of crime television formats and policy-related considerations. Journal of Digital Media & Policy.
Crossref
Crossref
Frances Howard. (2022) Artistic Production and (Re)production: Youth Arts Programmes as Enablers of Common Cultural Dispositions. Cultural Sociology 16:4, pages 468-485.
Crossref
Crossref
Roberta Comunian & Jonathan Corcoran. 2022. Gender and the Creative Labour Market. Gender and the Creative Labour Market
75
104
.
Marion Dumas, Jessica L. Barker & Eleanor A. Power. (2021) When does reputation lie? Dynamic feedbacks between costly signals, social capital and social prominence. Philosophical Transactions of the Royal Society B: Biological Sciences 376:1838.
Crossref
Crossref
Bethan Bide. (2021) Class and creativity in fashion education: A comparison of the pedagogies of making and design at British technical schools and art and design schools, 1870s‐1950s. International Journal of Fashion Studies 8:2, pages 175-194.
Crossref
Crossref
Frances Howard, Andy BennettBen GreenPaula GuerraSofia SousaErnesta Sofija. (2021) ‘It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: COVID-19 and New Forms of Inequality for Young Music-Makers. YOUNG 29:4, pages 417-432.
Crossref
Crossref
Sara Selwood. (2021) Social Sciences and the Cultural Sector in England. Museum Worlds 9:1, pages 33-52.
Crossref
Crossref
Ana Alacovska & Dave O’Brien. (2021) Genres and inequality in the creative industries. European Journal of Cultural Studies 24:3, pages 639-657.
Crossref
Crossref
Caitlin Vincent, Hilary Glow, Katya Johanson & Bronwyn Coate. (2021) Who Did You Meet at the Venice Biennale? Education-to-Work Transition Enhancers for Aspiring Arts Professionals in Australia. Work, Employment and Society, pages 095001702110042.
Crossref
Crossref
Roberta Comunian, Lauren England, Alessandra Faggian & Charlotta MellanderRoberta Comunian, Lauren England, Alessandra Faggian & Charlotta Mellander. 2021. The Economics of Talent. The Economics of Talent
113
122
.
Rebecca McSheaffrey. (2020) Exploring the aspirations of young people to work in the British film industry through comparative focus groups in London secondary schools. Film Education Journal 3:2.
Crossref
Crossref
Angelique Nairn & Matthew Guinibert. (2020) A dance of excellence, accessibility, money and national identity: A discourse analysis of the Royal New Zealand Ballet's website. International Journal of Nonprofit and Voluntary Sector Marketing 25:3.
Crossref
Crossref
Vinay Kumar. (2020) When Heritage Meets Creativity: A Tale of Two Urban Development Strategies in Kampong Glam, Singapore. City & Community 19:2, pages 398-420.
Crossref
Crossref
Neil Percival. (2019) Gendered reasons for leaving a career in the UK TV industry. Media, Culture & Society 42:3, pages 414-430.
Crossref
Crossref
Siobhan McAndrew, Dave O’Brien & Mark Taylor. (2019) The values of culture? Social closure in the political identities, policy preferences, and social attitudes of cultural and creative workers. The Sociological Review 68:1, pages 33-54.
Crossref
Crossref
Mark Banks. 2020. Cultural Industries and the Environmental Crisis. Cultural Industries and the Environmental Crisis
11
23
.
Susan Luckman & Jane AndrewSusan Luckman & Jane Andrew. 2020. Craftspeople and Designer Makers in the Contemporary Creative Economy. Craftspeople and Designer Makers in the Contemporary Creative Economy
65
100
.
Kim Allen. 2020. Pathways into Creative Working Lives. Pathways into Creative Working Lives
83
99
.
Stephanie Taylor & Susan Luckman. 2020. Pathways into Creative Working Lives. Pathways into Creative Working Lives
1
27
.
Laura Parsons & Rachel Granger. 2020. Value Construction in the Creative Economy. Value Construction in the Creative Economy
19
43
.
Rachel Granger. 2020. Value Construction in the Creative Economy. Value Construction in the Creative Economy
3
18
.
Alexandre Frenette. (2019) Leveraging Youth: Overcoming Intergenerational Tensions in Creative Production. Social Psychology Quarterly 82:4, pages 386-406.
Crossref
Crossref
Susan Berridge. (2019) Mum’s the word: Public testimonials and gendered experiences of negotiating caring responsibilities with work in the film and television industries. European Journal of Cultural Studies 22:5-6, pages 646-664.
Crossref
Crossref
Taija Roiha. (2019) Crossing the Magical Barriers of Art:Social Class, Authorship and Capital in the Contemporary FinnishLiterary Field. Nordisk kulturpolitisk tidsskrift 22:1, pages 50-71.
Crossref
Crossref
Dawn Bennett, Sophie Hennekam, Sally Macarthur, Cat Hope & Talisha Goh. (2019) Hiding gender: How female composers manage gender identity. Journal of Vocational Behavior 113, pages 20-32.
Crossref
Crossref
Marisol Sandoval & Jo Littler. 2019. Creative Hubs in Question. Creative Hubs in Question
155
168
.
Sarah Summers & Steven Buchanan. (2018) Public Libraries as Cultural Hubs in Disadvantaged Communities: Developing and Fostering Cultural Competencies and Connections. The Library Quarterly 88:3, pages 286-302.
Crossref
Crossref
Toby Bennett. 2018. The Palgrave Handbook of Creativity at Work. The Palgrave Handbook of Creativity at Work
431
459
.
David LeeDavid Lee. 2018. Independent Television Production in the UK. Independent Television Production in the UK
1
11
.
Peter Millward, Paul Widdop & Michael Halpin. (2017) A ‘Different Class’? Homophily and Heterophily in the Social Class Networks of Britpop. Cultural Sociology 11:3, pages 318-336.
Crossref
Crossref
Anna Bull & Christina Scharff. (2017) ‘McDonald’s Music’ Versus ‘Serious Music’: How Production and Consumption Practices Help to Reproduce Class Inequality in the Classical Music Profession. Cultural Sociology 11:3, pages 283-301.
Crossref
Crossref
Emily Dawson. (2017) Social justice and out-of-school science learning: Exploring equity in science television, science clubs and maker spaces. Science Education 101:4, pages 539-547.
Crossref
Crossref
Kate Oakley. (2017) Whose creative economy? Inequality and the need for international approaches. Les Enjeux de l'information et de la communication N° 17/2:2, pages 163-171.
Crossref
Crossref