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Applied Economics Letters Volume 14, 2007 - Issue 5
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Original Articles

Increasing returns to information in the US popular music industry

David E. Giles Department of Economics, University of Victoria, P.O. Box 1700, STN CSC, Victoria, B.C., V8W 2Y2 Canada E-mail: [email protected]
Pages 327-331 | Published online: 18 Feb 2011

Citations (20)

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Read on this site (4)

Oliver Budzinski, Marie Kohlschreiber, Björn A. Kuchinke & Julia Pannicke. (2021) Does music quality matter for audience voters in a music contest?. Creative Industries Journal 14:2, pages 109-129.
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Jinju Kim & Jordi Lopez Sintas. (2020) The big bang theory of stardom: the social process of sharing emotional experiences associated online TV actors. Creative Industries Journal 13:1, pages 50-71.
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Caroline Elliott & Rob Simmons. (2011) Factors determining UK album success. Applied Economics 43:30, pages 4699-4705.
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Jordi McKenzie. (2010) Movie producers and the statistical distribution of achievement. Applied Economics Letters 17:17, pages 1657-1661.
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Articles from other publishers (16)

Philip Hans Franses. (2022) On the life cycles of successful rock bands. Quality & Quantity.
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Khaled Boughanmi & Asim Ansari. (2021) Dynamics of Musical Success: A Machine Learning Approach for Multimedia Data Fusion. Journal of Marketing Research 58:6, pages 1034-1057.
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Pablo Bello & David Garcia. (2021) Cultural Divergence in popular music: the increasing diversity of music consumption on Spotify across countries. Humanities and Social Sciences Communications 8:1.
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Manuel Pacheco Coelho & José Zorro Mendes. (2019) Digital music and the “death of the long tail”. Journal of Business Research 101, pages 454-460.
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Jisu Yi, Youseok Lee & Sang-Hoon Kim. (2019) Determinants of growth and decline in mobile game diffusion. Journal of Business Research 99, pages 363-372.
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Kathleen Napier & Lior Shamir. (2018) Quantitative Sentiment Analysis of Lyrics in Popular Music. Journal of Popular Music Studies 30:4, pages 161-176.
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Mirva Peltoniemi. (2015) Cultural Industries: Product-Market Characteristics, Management Challenges and Industry Dynamics. International Journal of Management Reviews 17:1, pages 41-68.
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Brinja Meiseberg. (2012) Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music. Journal of Cultural Economics 38:1, pages 9-42.
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W.D. Walls. 2014. 185 213 .
Staffan Albinsson. (2012) Swings and roundabouts: Swedish music copyrights 1980–2009. Journal of Cultural Economics 37:2, pages 175-184.
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W. D. Walls. (2010) Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs. Journal of Cultural Economics 34:4, pages 261-279.
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Ivan L. Pitt. (2010) Superstar effects on royalty income in a performing rights organization. Journal of Cultural Economics 34:3, pages 219-236.
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Ivan L. PittIvan L. Pitt. 2010. Economic Analysis of Music Copyright. Economic Analysis of Music Copyright 105 119 .
JORDI McKENZIE. (2009) ILLEGAL MUSIC DOWNLOADING AND ITS IMPACT ON LEGITIMATE SALES: AUSTRALIAN EMPIRICAL EVIDENCE. Australian Economic Papers 48:4, pages 296-307.
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Edoardo Gaffeo, Antonello E. Scorcu & Laura Vici. (2008) Demand distribution dynamics in creative industries: The market for books in Italy. Information Economics and Policy 20:3, pages 257-268.
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Oliver Budzinski, Marie Kohlschreiber, Bjoern A. Kuchinke & Julia Pannicke. (2019) Does Music Quality Matter for Audience Voters in a Music Contest?. SSRN Electronic Journal.
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