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Applied Economics Letters Volume 17, 2010 - Issue 5
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Original Articles

Cinema attendance in Europe

A. Sisto Department of Public Policy and Public Choice, University of Eastern Piedmont, 15100, Alessandria, Italy
&
R. Zanola Department of Public Policy and Public Choice, University of Eastern Piedmont, 15100, Alessandria, ItalyCorrespondence[email protected]
Pages 515-517 | Published online: 09 May 2008

Citations (17)

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Mina Fanea-Ivanovici, Hasnan Baber, Marius-Cristian Pană & Alina Magdalena Manole. (2022) Consumption of Cinema and Substitutes—At the Crossroads during the Pandemic. Quarterly Review of Film and Video 0:0, pages 1-24.
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Articles from other publishers (16)

Jordi McKenzie. (2022) The economics of movies (revisited): A survey of recent literature. Journal of Economic Surveys 37:2, pages 480-525.
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Laura Bocci & Isabella Mingo. 2023. Models for Data Analysis. Models for Data Analysis 69 86 .
Miguel Gómez-Antonio, Ignacio del Moral Arce & Miriam Hortas-Rico. (2022) Are VAT reforms an effective tool for promoting culture? A quasi-experiment in Spain. Journal of Policy Modeling 44:5, pages 1016-1040.
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Sara Suarez-Fernandez, Maria J. Perez-Villadoniga & Juan Prieto-Rodriguez. (2022) Price salience in opinion polls and observed behavior: The case of Spanish cinema. Economic Modelling 111, pages 105848.
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Pablo De la Vega, Sara Suarez-Fernández, David Boto-García & Juan Prieto-Rodríguez. (2019) Playing a play: online and live performing arts consumers profiles and the role of supply constraints. Journal of Cultural Economics 44:3, pages 425-450.
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Sara Suarez-Fernandez, Juan Prieto-Rodriguez & Maria Jose Perez-Villadoniga. (2019) The changing role of education as we move from popular to highbrow culture. Journal of Cultural Economics 44:2, pages 189-212.
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Audrey Laporte, Adrian Rohit Dass & Brian S. Ferguson. (2017) Is the Rational Addiction model inherently impossible to estimate?. Journal of Health Economics 54, pages 161-175.
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Concetta Castiglione & Davide Infante. 2017. Enhancing Participation in the Arts in the EU. Enhancing Participation in the Arts in the EU 155 169 .
Concetta Castiglione & Davide Infante. (2015) Rational addiction and cultural goods: the case of the Italian theatregoer. Journal of Cultural Economics 40:2, pages 163-190.
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M. Bjørn von Rimscha. (2012) It’s not the economy, stupid! External effects on the supply and demand of cinema entertainment. Journal of Cultural Economics 37:4, pages 433-455.
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Victor Fernandez-Blanco, Luis Orea & Juan Prieto-Rodriguez. (2012) Endogeneity and measurement errors when estimating demand functions with average prices: an example from the movie market. Empirical Economics 44:3, pages 1477-1496.
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Thomas Demuynck & Ewout Verriest. (2013) I’LL NEVER FORGET MY FIRST CIGARETTE: A REVEALED PREFERENCE ANALYSIS OF THE “HABITS AS DURABLES” MODEL*. International Economic Review 54:2, pages 717-738.
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Darlene C. Chisholm & George Norman. (2012) Spatial competition and market share: an application to motion pictures. Journal of Cultural Economics 36:3, pages 207-225.
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Alan Collins, Antonello E. Scorcu & Roberto Zanola. (2009) Distribution conventionality in the movie sector: an econometric analysis of cinema supply. Managerial and Decision Economics 30:8, pages 517-527.
Crossref
Jordi McKenzie. (2021) The economics of movies (revisited): A decade of literature in review. SSRN Electronic Journal.
Crossref
Thomas Demuynck & Ewout Verriest. (2011) A Revealed Preference Analysis of the Rational Addiction Model. SSRN Electronic Journal.
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