Citations (29)
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Elżbieta Nakonieczna & Jakub Szczepański. (2023) Authenticity of cultural heritage vis-à-vis heritage reproducibility and intangibility: from conservation philosophy to practice. International Journal of Cultural Policy 0:0, pages 1-18.
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Alessio Mazzaro. (2022) The potential of artistic practice in facilitating the collective narration of historical events. International Journal of Heritage Studies 28:10, pages 1136-1151.
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Melissa Addey. (2021) Beyond ‘is it true?’: the ‘playframe’ in historical fiction. New Writing 18:4, pages 421-433.
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Paul Edward Montgomery Ramírez. (2021) Colonial representations of race in alternative museums: The ‘African’ of St Benet’s, the ‘Arab’ of Jorvik, and the ‘Black Viking’. International Journal of Heritage Studies 27:9, pages 937-952.
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Brianna Wyatt, Anna Leask & Paul Barron. (2021) Designing dark tourism experiences: an exploration of edutainment interpretation at lighter dark visitor attractions. Journal of Heritage Tourism 16:4, pages 433-449.
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Jan Penrose. (2020) Authenticity, authentication and experiential authenticity: telling stories in museums. Social & Cultural Geography 21:9, pages 1245-1267.
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Laura Hodsdon. (2020) ‘I expected … something’: imagination, legend, and history in TripAdvisor reviews of Tintagel Castle. Journal of Heritage Tourism 15:4, pages 410-423.
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Sepideh Samadzadehyazdi, Mojtaba Ansari, Mohammadjavad Mahdavinejad & Mohammadreza Bemaninan. (2020) Significance of authenticity: learning from best practice of adaptive reuse in the industrial heritage of Iran. International Journal of Architectural Heritage 14:3, pages 329-344.
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Stephen Wickler. (2019) Iconic Arctic Shipwrecks, Archaeology, and Museum Narratives. International Journal of Nautical Archaeology 48:2, pages 427-438.
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Riina Haanpää, Laura Puolamäki & Eeva Karhunen. (2019) Local conservation and perceptions of heritage in Old Rauma World Heritage Site. International Journal of Heritage Studies 25:8, pages 837-855.
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Ling-Zhong Lin, Huery-Ren Yeh & Cheng-Fei Lee. (2019) FQFD framework for prioritising authenticity and heritage design requirements. Total Quality Management & Business Excellence 30:1-2, pages 1-30.
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Silke Arnold-de Simine. (2019) The stories we tell: uncanny encounters in Mr Straw’s House. International Journal of Heritage Studies 25:1, pages 80-95.
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Stefanie Benjamin & Derek Alderman. (2018) Performing a different narrative: museum theater and the memory-work of producing and managing slavery heritage at southern plantation museums. International Journal of Heritage Studies 24:3, pages 270-282.
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Jillian M. Rickly-Boyd. (2015) ‘It’s supposed to be 1863, but it’s really not’: inside the representation and communication of heritage at a pioneer village. International Journal of Heritage Studies 21:9, pages 889-904.
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Duncan Grewcock. (2014) Performing heritage (studies) at the Lord Mayor’s show. International Journal of Heritage Studies 20:7-8, pages 760-781.
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Marion Leonard. (2014) Staging the Beatles: ephemerality, materiality and the production of authenticity in the museum. International Journal of Heritage Studies 20:4, pages 357-375.
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Jillian
M. Rickly-Boyd. (2012) ‘Through the magic of authentic reproduction’: tourists’ perceptions of authenticity in a pioneer village. Journal of Heritage Tourism 7:2, pages 127-144.
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DeborahM. Withers. (2011) ss Great Britain and the containment of British collective memory. International Journal of Heritage Studies 17:3, pages 245-260.
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Articles from other publishers (11)
Vaida Rakaitytė. (2022) Lauminėjimas muziejuje: lietuvių liaudies žaidimo užrištomis akimis gyvoji rekonstrukcija. Lietuvos etnologija / Lithuanian ethnology 21 (30) 2021, pages 173-198.
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Anthea Innes, Helen F Scholar, Jana Haragalova & Monika Sharma. (2021)
‘
You come because it is an interesting place
’: The impact of attending a heritage programme on the well-being of people living with dementia and their care partners
. Dementia 20:6, pages 2133-2151.
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Paul Edward Montgomery Ramírez. (2020) What Can We Weave? Authority, Reconstructing, and Negotiating Heritages Through Archaeological Open-Air Museums. Archaeologies 16:1, pages 72-98.
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Jennifer H. Laing & Warwick Frost. (2019) Presenting narratives of empathy through dark commemorative exhibitions during the Centenary of World War One. Tourism Management 74, pages 190-199.
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Cinzia Vallone & Valerio Veglio. (2019) Customer Perceptions of the Albergo Diffuso Concept: What Makes the Difference in Terms of Service Excellence?. Tourism Analysis 24:3, pages 367-375.
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. 2018. Authenticity & Tourism. Authenticity & Tourism
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Alessandro Biraglia, Maximilian H.E.E. Gerrath & Bryan Usrey. (2017) Examining How Companies’ Support of Tourist Attractions Affects Visiting Intentions: The Mediating Role of Perceived Authenticity. Journal of Travel Research 57:6, pages 811-823.
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Huanxi Zhao. (2018) How Can It Be More Real? A Case Study to Present the Authenticity of a Local Heritage District from the Perspective of Regional Spatial Morphology. Sustainability 10:6, pages 1715.
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Jeremy C. Wells & Lucas Lixinski. (2017) Heritage values and legal rules. Journal of Cultural Heritage Management and Sustainable Development 7:3, pages 345-363.
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Anna Leask. (2016) Visitor attraction management: A critical review of research 2009–2014. Tourism Management 57, pages 334-361.
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Karoline Daugstad & Christoph Kirchengast. (2013) AUTHENTICITY AND THE PSEUDO-BACKSTAGE OF AGRI-TOURISM. Annals of Tourism Research 43, pages 170-191.
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