Citations (53)
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Read on this site (27)
Allan Watson. (2023) Supporting regional music production clusters in the post-pandemic era: placing business support at the heart of local cultural policy. International Journal of Cultural Policy 0:0, pages 1-15.
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Zelmarie Cantillon, Sarah Baker & Lauren Chalk. (2022) Leveraging popular music heritage as sustainable cultural infrastructure in small cities. International Journal of Cultural Policy 0:0, pages 1-17.
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Lizaveta Lysenka. (2022) Soviet music heritage as a discursive middle ground in Belarusian political conflict. International Journal of Heritage Studies 28:6, pages 752-762.
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Sarah Baker, Zelmarie Cantillon, Lauren Istvandity & Paul Long. (2022) The values and value of community heritage: visitor evaluation of do-it-yourself museums and archives of popular music in Europe, Australasia and the United States of America. Journal of Heritage Tourism 17:2, pages 190-203.
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Aleen Leigh Stanton & John Schofield. (2021) Reimagining Nashville: The Changing Place of Country. The Historic Environment: Policy & Practice 12:2, pages 203-221.
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Ian Trowell. (2020) Heavy metal, rolling fields and the infinite harvest: the British steam rally. International Journal of Heritage Studies 26:7, pages 635-651.
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George McKay. (2020) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies 26:6, pages 571-588.
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Zelmarie Cantillon & Sarah Baker. (2020) Serious leisure and the DIY approach to heritage: considering the costs of career volunteering in community archives and museums. Leisure Studies 39:2, pages 266-279.
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Aleen Leigh Stanton & John Schofield. (2019) In the round: the circular heritage of country music. International Journal of Heritage Studies 25:10, pages 1034-1054.
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Lavinia Brydon, Olu Jenzen & Nicholas Nourse. (2019) ‘Our Pier’: leisure activities and local communities at the British seaside. Leisure/Loisir 43:2, pages 205-228.
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Zita Joyce. (2018) Alternative Radio: exhibiting radio and music heritage after the Christchurch earthquakes. International Journal of Heritage Studies 24:3, pages 230-242.
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Catherine Strong & Samuel Whiting. (2018) ‘We love the bands and we want to keep them on the walls’: gig posters as heritage-as-praxis in music venues. Continuum 32:2, pages 151-161.
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Zelmarie Cantillon, Sarah Baker & Bob Buttigieg. (2017) Queering the Community Music Archive. Australian Feminist Studies 32:91-92, pages 41-57.
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Catherine Strong, Fabian Cannizzo & Ian Rogers. (2017) Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways. International Journal of Heritage Studies 23:2, pages 83-96.
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Sophia Maalsen. (2016) Reissuing Alternative Music Heritages: The Materiality of the Niche Reissued Record and Challenging What Music Matters. Popular Music and Society 39:5, pages 516-531.
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Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2016) Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions. Museum Management and Curatorship 31:4, pages 369-385.
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Sarah Baker. (2016) Do-it-yourself institutions of popular music heritage: the preservation of music’s material past in community archives, museums and halls of fame. Archives and Records 37:2, pages 170-187.
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Dan Miller & John Schofield. (2016) The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues. Heritage & Society 9:2, pages 137-167.
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Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2016) The sound of music heritage: curating popular music in music museums and exhibitions. International Journal of Heritage Studies 22:1, pages 70-81.
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Timothy J. Dowd, Trent Ryan & Yun Tai. (2016) Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock. Popular Music and Society 39:1, pages 97-125.
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Rosa Reitsamer. (2016) Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria. Popular Music and Society 39:1, pages 59-75.
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Sarah Baker, Peter Doyle & Shane Homan. (2016) Historical Records, National Constructions: The Contemporary Popular Music Archive. Popular Music and Society 39:1, pages 8-27.
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Sarah Baker & Jez Collins. (2015) Sustaining popular music’s material culture in community archives and museums. International Journal of Heritage Studies 21:10, pages 983-996.
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Steven P. Ashby & John Schofield. (2015) ‘Hold the Heathen Hammer High’: representation, re-enactment and the construction of ‘Pagan’ heritage. International Journal of Heritage Studies 21:5, pages 493-511.
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Arno van der Hoeven. (2015) Remembering the 1960s: popular music and memory in Europe. International Journal of Cultural Policy 21:3, pages 258-272.
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Christian Hviid Mortensen & Jacob Westergaard Madsen. (2015) The sound of yesteryear on display: a rethinking of nostalgia as a strategy for exhibiting pop/rock heritage. International Journal of Heritage Studies 21:3, pages 250-263.
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Amanda Brandellero & Susanne Janssen. (2014) Popular music as cultural heritage: scoping out the field of practice. International Journal of Heritage Studies 20:3, pages 224-240.
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Articles from other publishers (26)
Xiaoyan Zhu, Tin Oberman & Francesco Aletta. (2024) Defining acoustical heritage: A qualitative approach based on expert interviews. Applied Acoustics 216, pages 109754.
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Les Roberts. (2023) Songlines Are for Singing: Un/Mapping the Lived Spaces of Travelling Memory. Humanities 12:3, pages 52.
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Robin Kuchar. (2023) Vom stadträumlichen Pionier zur Kulturstätte inmitten der Pandemie. Musikclubs als (sozial-)räumliche Akteure urbaner Musikökosysteme. Standort 47:2, pages 127-135.
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Sarah Baker, Zelmarie Cantillon & Raphaël Nowak. 2023. Popular Music Heritage, Cultural Justice and the Deindustrialising City. Popular Music Heritage, Cultural Justice and the Deindustrialising City.
Ionela Vlase & Tuuli Lähdesmäki. (2023) A bibliometric analysis of cultural heritage research in the humanities: The Web of Science as a tool of knowledge management. Humanities and Social Sciences Communications 10:1.
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Translation: Bernadette Biedermann. (2022) Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation. Curator: The Museum Journal 65:4, pages 887-908.
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Bernadette Biedermann. (2022) Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study. Curator: The Museum Journal 65:2, pages 379-398.
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Michaël Spanu. (2022) La plateforme et le patrimoine : une enquête sur les valeurs des vidéos de concerts sur YouTube. Canadian Journal of Communication 47:1, pages 49-78.
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Philip Boland & Stephen McKay. (2020) Personality association and celebrity museumification of George Best (with nods to John Lennon). Place Branding and Public Diplomacy 17:4, pages 409-419.
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Andrew Snyder. (2021) Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism. Ethnomusicology 65:3, pages 519-548.
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Philipp Dominik Keidl. (2021) The Labor of Curating: Fandom, Museums, and the Value of Fan Heritage. The Journal of Popular Culture 54:2, pages 407-431.
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Jan-Peter Herbst. (2021) Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice. Popular Music 40:1, pages 91-113.
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Eva Nicolas. (2019) Sarah Baker, Catherine Strong, Lauren Istvandity, Zelmarie Cantillon (e. Volume !:16 : 1, pages 183-186.
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Brett Lashua. 2019. Popular Music, Popular Myth and Cultural Heritage in Cleveland: The Moondog, The Buzzard, and the Battle for the Rock and Roll Hall of Fame. Popular Music, Popular Myth and Cultural Heritage in Cleveland: The Moondog, The Buzzard, and the Battle for the Rock and Roll Hall of Fame
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Dagmar Brunow. (2019) Manchester’s Post-punk Heritage: Mobilising and Contesting Transcultural Memory in the Context of Urban Regeneration. Culture Unbound 11:1, pages 9-29.
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Pierre Lavoie. (2018) Qui chante la nation ? La patrimonialisation de la chanson au Québec depuis la Révolution tranquille. Journal of Canadian Studies 52:1, pages 149-175.
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Alcina Cortez. (2017) Reflections on the challenges of exhibiting popular music at the beginning of the 21st century through a case study of ‘A Magia do Vinil’. Popular Music 36:3, pages 370-392.
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Sarah Baker & Jez Collins. (2016) Popular music heritage, community archives and the challenge of sustainability. International Journal of Cultural Studies 20:5, pages 476-491.
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Fannie Valois-Nadeau. (2016) Rethinking heritagization through the digitization of familial archivesRepenser la patrimonialisation à travers la numérisation d’archives familiales. Le cas du site internet de Léo Gravelle. RESET:6.
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Alcina Cortez. (2016) How Popular Music is Exhibited by Museums in Portugal at the Beginning of the Twenty-First Century: A Case Study. Curator: The Museum Journal 59:2, pages 153-176.
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Arno van der Hoeven & Amanda Brandellero. (2015) Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives. Poetics 51, pages 37-53.
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Les Roberts. (2014) Navigating the ‘archive city’. Convergence: The International Journal of Research into New Media Technologies 21:1, pages 100-115.
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Les Roberts. (2013) Marketing musicscapes, or the political economy of contagious magic. Tourist Studies 14:1, pages 10-29.
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