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International Journal of Heritage Studies Volume 20, 2014 - Issue 4
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Staging the Beatles: ephemerality, materiality and the production of authenticity in the museum

Marion LeonardSchool of Music, University of Liverpool, 80-82 Bedford Street South, Liverpool, L69 7WW, UK.Correspondence[email protected]
Pages 357-375 | Received 21 Apr 2012, Accepted 27 Nov 2012, Published online: 15 Jan 2013

Citations (16)

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Read on this site (5)

Alcina Cortez. (2022) Museums as sites for displaying sound materials: a five-use framework. Sound Studies 8:1, pages 43-72.
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Ted Svensson. (2021) Curating the Partition: dissonant heritage and Indian nation building. International Journal of Heritage Studies 27:2, pages 216-232.
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Charles Fairchild. (2018) Transcendent myths, mundane objects: setting the material scene in rock, soul, and country museums. International Journal of Heritage Studies 24:5, pages 477-490.
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Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2016) Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions. Museum Management and Curatorship 31:4, pages 369-385.
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Steven P. Ashby & John Schofield. (2015) ‘Hold the Heathen Hammer High’: representation, re-enactment and the construction of ‘Pagan’ heritage. International Journal of Heritage Studies 21:5, pages 493-511.
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Articles from other publishers (11)

Şükrü Fırat Çiftçi & Beykan Çizel. (2024) Exploring relations among authentic tourism experience, experience quality, and tourist behaviours in phygital heritage with experimental design. Journal of Destination Marketing & Management 31, pages 100848.
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Translation: Bernadette Biedermann. (2022) Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation. Curator: The Museum Journal 65:4, pages 887-908.
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Bernadette Biedermann. (2022) Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study. Curator: The Museum Journal 65:2, pages 379-398.
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Vaida Rakaitytė. (2022) Lauminėjimas muziejuje: lietuvių liaudies žaidimo užrištomis akimis gyvoji rekonstrukcija. Lietuvos etnologija / Lithuanian ethnology 21 (30) 2021, pages 173-198.
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Liuhe Jin, Honggen Xiao & Haili Shen. (2020) Experiential authenticity in heritage museums. Journal of Destination Marketing & Management 18, pages 100493.
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Yu-Tzu Wang & Stamatina Anastopoulou. (2020) The Development of Popular Music Heritage: exploring an AR exhibition. IOP Conference Series: Materials Science and Engineering 949:1, pages 012069.
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Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2018) Curatorial practice in popular music museums: An emerging typology of structuring concepts. European Journal of Cultural Studies 23:3, pages 434-453.
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Alcina Cortez. (2019) Performatively Driven: A Genre for Signifying in Popular Music Exhibitions. Curator: The Museum Journal 62:3, pages 343-366.
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Alexandra Supper. (2018) Listening for the hiss: lo-fi liner notes as curatorial practices. Popular Music 37:2, pages 253-270.
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Alcina Cortez. (2017) Reflections on the challenges of exhibiting popular music at the beginning of the 21st century through a case study of ‘A Magia do Vinil’. Popular Music 36:3, pages 370-392.
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Alcina Cortez. (2016) How Popular Music is Exhibited by Museums in Portugal at the Beginning of the Twenty-First Century: A Case Study. Curator: The Museum Journal 59:2, pages 153-176.
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