Citations (23)
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Lizaveta Lysenka. (2022) Soviet music heritage as a discursive middle ground in Belarusian political conflict. International Journal of Heritage Studies 28:6, pages 752-762.
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Man-U. Io & Daniel Chong. (2022) Determining residents’ enjoyment of Cantonese opera as their performing arts heritage in Macao. Annals of Leisure Research 25:2, pages 273-290.
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Alcina Cortez. (2022) Museums as sites for displaying sound materials: a five-use framework. Sound Studies 8:1, pages 43-72.
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Bo-Wah Leung. (2021) Transmission of Cantonese opera in school music education: a survey of Hong Kong and Guangdong music teachers for policy review. Arts Education Policy Review 0:0, pages 1-16.
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Catherine Strong, Fabian Cannizzo & Ian Rogers. (2017) Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways. International Journal of Heritage Studies 23:2, pages 83-96.
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Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2016) Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions. Museum Management and Curatorship 31:4, pages 369-385.
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Brian Diettrich. (2015) Performing arts as cultural heritage in the Federated States of Micronesia. International Journal of Heritage Studies 21:7, pages 660-673.
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Chris Tinker. (2015) The RFM Party 80 and Here and Now Tours: 1980s Pop Nostalgia in the French and British Press. Modern & Contemporary France 23:2, pages 163-177.
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Articles from other publishers (15)
Guzmán A. Muñoz-Fernández, Jesús Heredia-Carroza, Jesús Manuel de Sancha-Navarro & Lucía García-García. (2023) Does the flamenco tourist exist? Motivation and segmentation. Heliyon 9:3, pages e14134.
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Daniel Lee. (2023) GUITAR TUITION IN AUSTRALIAN HIGHER EDUCATION: CONSEQUENCES OF EMPLOYING A GLOBAL PERSPECTIVE. SSRN Electronic Journal.
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Translation: Bernadette Biedermann. (2022) Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation. Curator: The Museum Journal 65:4, pages 887-908.
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Clare Kinsella & Eleanor Peters. (2022) ‘There are places I remember’. Journal of Beatles Studies 2022:Autumn, pages 39-65.
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Bernadette Biedermann. (2022) Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study. Curator: The Museum Journal 65:2, pages 379-398.
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David S. Waller & Helen J. Waller. (2021) Heritagisation of pop culture by museums and an analysis of visitor feedback. Arts and the Market 11:3, pages 258-274.
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Jian Yang, Jian Ming Luo & Ivan Ka Wai Lai. (2021) Construction of Leisure Consumer Loyalty from Cultural Identity—A Case of Cantonese Opera. Sustainability 13:4, pages 1980.
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Yu-Tzu Wang & Stamatina Anastopoulou. (2020) The Development of Popular Music Heritage: exploring an AR exhibition. IOP Conference Series: Materials Science and Engineering 949:1, pages 012069.
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Charulatha Mani. 2020. Music Cities. Music Cities
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Brett Lashua. 2019. Popular Music, Popular Myth and Cultural Heritage in Cleveland: The Moondog, The Buzzard, and the Battle for the Rock and Roll Hall of Fame. Popular Music, Popular Myth and Cultural Heritage in Cleveland: The Moondog, The Buzzard, and the Battle for the Rock and Roll Hall of Fame
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Bülent AKIN. (2018) Cultural Memory and Music. Ege Üniversitesi Devlet Türk Musikisi Konservatuvarı Dergisi.
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Helen J. Waller & David S. Waller. (2018) Opera costumes and the value of object biographies. Journal of Documentation 74:6, pages 1162-1174.
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Pierre Lavoie. (2018) Qui chante la nation ? La patrimonialisation de la chanson au Québec depuis la Révolution tranquille. Journal of Canadian Studies 52:1, pages 149-175.
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Arno van der Hoeven. (2015) Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories. European Journal of Cultural Studies 21:2, pages 207-222.
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Arno van der Hoeven & Amanda Brandellero. (2015) Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives. Poetics 51, pages 37-53.
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