Citations (21)
Keep up to date with the latest research on this topic with citation updates for this article.
Read on this site (7)
Natalija Majsova & Jasmina Šepetavc. (2023) Popular music as living heritage: theoretical and practical challenges explored through the case of Slovenian folk pop. International Journal of Heritage Studies 29:12, pages 1283-1298.
Read now
Read now
Lauren Istvandity. (2021) Creative heritage: An approach for research and practice integrating heritage and the performing arts. International Journal of Heritage Studies 27:11, pages 1149-1162.
Read now
Read now
Lauren Istvandity. (2021) How does music heritage get lost? Examining cultural heritage loss in community and authorised music archives. International Journal of Heritage Studies 27:4, pages 331-343.
Read now
Read now
Charles Fairchild. (2018) Transcendent myths, mundane objects: setting the material scene in rock, soul, and country museums. International Journal of Heritage Studies 24:5, pages 477-490.
Read now
Read now
Catherine Strong, Fabian Cannizzo & Ian Rogers. (2017) Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways. International Journal of Heritage Studies 23:2, pages 83-96.
Read now
Read now
Paul Long, Sarah Baker, Lauren Istvandity & Jez Collins. (2017) A labour of love: the affective archives of popular music culture. Archives and Records 38:1, pages 61-79.
Read now
Read now
Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2016) Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions. Museum Management and Curatorship 31:4, pages 369-385.
Read now
Read now
Articles from other publishers (14)
Caitlin Kelly. (2023) A Study on Sound and Sound Design for Accessibility in Cultural Heritage Contexts in Ireland. A Study on Sound and Sound Design for Accessibility in Cultural Heritage Contexts in Ireland.
Caroline Creton, Elvire Bornand, Frédérique Letourneux & Hélène Lecompte. (2022) « Pour moi, c’est plus qu’une expo ! » Production et réception d’une exposition sur les musiques populaires dans un musée d’histoire“It’s more than just an exhibition for me!” The production and reception of an exhibition on popular music in a history museum“¡Para mi es algo más que una exposición!” Producción y recepción de una exposición sobre las músicas populares en un museo de historia. Culture & musées:40, pages 257-285.
Crossref
Crossref
Translation: Bernadette Biedermann. (2022) Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation. Curator: The Museum Journal 65:4, pages 887-908.
Crossref
Crossref
Bernadette Biedermann. (2022) Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study. Curator: The Museum Journal 65:2, pages 379-398.
Crossref
Crossref
Janne Ikäheimo. 2021. Music and Heritage. Music and Heritage
173
182
.
Yu-Tzu Wang & Stamatina Anastopoulou. (2020) The Development of Popular Music Heritage: exploring an AR exhibition. IOP Conference Series: Materials Science and Engineering 949:1, pages 012069.
Crossref
Crossref
Sarah Baker, Lauren Istvandity & Raphaël Nowak. (2018) Curatorial practice in popular music museums: An emerging typology of structuring concepts. European Journal of Cultural Studies 23:3, pages 434-453.
Crossref
Crossref
Elsa Broclain, Benoît Haug & Pénélope Patrix. (2019) Introduction. Music: Intangible Heritage?. Transposition:8.
Crossref
Crossref
Elsa Broclain, Benoît Haug & Pénélope Patrix. (2019) Introduction. Musique : patrimoine immatériel ?. Transposition:8.
Crossref
Crossref
Alcina Cortez. (2019) Performatively Driven: A Genre for Signifying in Popular Music Exhibitions. Curator: The Museum Journal 62:3, pages 343-366.
Crossref
Crossref
Kathleen Wiens & Eric de Visscher. (2019) How Do We Listen To Museums?. Curator: The Museum Journal 62:3, pages 277-281.
Crossref
Crossref
Pei-Hsuan Tsai & Chin-Tsai Lin. (2018) How Should National Museums Create Competitive Advantage Following Changes in the Global Economic Environment?. Sustainability 10:10, pages 3749.
Crossref
Crossref
Damien Hallegatte, Myriam Ertz & François Marticotte. (2018) Blending the past and present in a retro branded music concert: the impact of nostalgia proneness. Journal of Product & Brand Management 27:5, pages 484-497.
Crossref
Crossref
Ameera Nimjee. (2017) Exhibiting Music. Ethnologies 37:1, pages 153-173.
Crossref
Crossref