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EDITORIAL AND INTRODUCTION

Taking place: some reflections on site, performance and community

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Pages 1-14 | Published online: 08 Jan 2007

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Read on this site (10)

Anika Marschall. (2021) Between Tokyo and Frankfurt: Akira Takayama’s ‘theatre 2.0’, migratory encounters and urban solidarity in the contemporary city. Research in Drama Education: The Journal of Applied Theatre and Performance 26:2, pages 205-223.
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Daphna Ben-Shaul. (2018) Performance art at the campusphere: pedagogical experiments on-site. Research in Drama Education: The Journal of Applied Theatre and Performance 23:1, pages 73-90.
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Adelina Ong. (2016) The path is place: skateboarding, graffiti and performances of place. Research in Drama Education: The Journal of Applied Theatre and Performance 21:2, pages 229-241.
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Jo Robinson. (2016) ‘Outside of everything and everybody’: renegotiating place in the classroom. Research in Drama Education: The Journal of Applied Theatre and Performance 21:2, pages 214-228.
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Adelina Ong. (2015) Creating places of radical openness in Singapore. Research in Drama Education: The Journal of Applied Theatre and Performance 20:3, pages 271-277.
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Jamie Simpson Steele. (2013) Geopathology on May Day: Expressions of Culture on Hawai‘i's Elementary School Stages. Equity & Excellence in Education 46:2, pages 169-183.
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Kerrie Schaefer. (2012) Performing environmental change: MED Theatre and the changing face of community-based performance research. Research in Drama Education: The Journal of Applied Theatre and Performance 17:2, pages 247-263.
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Mary Ann Hunter. (2008) Cultivating the art of safe space. Research in Drama Education: The Journal of Applied Theatre and Performance 13:1, pages 5-21.
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Articles from other publishers (4)

Kerrie SchaeferKerrie Schaefer. 2022. Communities, Performance and Practice. Communities, Performance and Practice 1 13 .
Katharine E. LowKatharine E. Low. 2020. Applied Theatre and Sexual Health Communication. Applied Theatre and Sexual Health Communication 137 179 .
Lisa WoynarskiLisa Woynarski. 2020. Ecodramaturgies. Ecodramaturgies 143 178 .
Karen Barbour & Alexandra Hitchmough. (2014) Experiencing affect through site-specific dance. Emotion, Space and Society 12, pages 63-72.
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