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Research in Drama Education: The Journal of Applied Theatre and Performance Volume 13, 2008 - Issue 2: PERFORMANCE AND ASYLUM: EMBODIMENT, ETHICS
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Articles

Dirty truth: personal narrative, victimhood and participatory theatre work with people seeking asylum

Alison Jeffers Centre for Applied Theatre Research, University of Manchester, Manchester, UKCorrespondence[email protected]
Pages 217-221 | Published online: 23 Oct 2008

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Charlotte Veal. (2020) Thinking Intimate Geopolitics Creatively: Choreographing Spaces of Performance, Testimony, and Law. GeoHumanities 6:1, pages 65-88.
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Jonathan Corpus Ong & Maria Rovisco. (2019) Conviviality as a politics of endurance: the refugee emergency and the consolations of artistic intervention. Popular Communication 17:2, pages 140-153.
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Friederike Oberkrome. (2018) Reframing the document(ary): exploring asylum policies on stage. Research in Drama Education: The Journal of Applied Theatre and Performance 23:2, pages 259-273.
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Clare Summerskill. (2018) The importance of being gay: the perils and possibilities of LGBTI asylum seekers’ involvement in Rights of Passage. Research in Drama Education: The Journal of Applied Theatre and Performance 23:2, pages 282-288.
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Ingunn Bjørkhaug. (2017) Tales of Loss and Sorrow: Addressing Methodological Challenges in Refugee Research in Uganda. Forum for Development Studies 44:3, pages 453-471.
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Jennifer Penton. (2011) Asking For Trouble: Ethics, Agenda and Personal Storytelling in a Women's FGM Health Project. NJ 35:1, pages 75-89.
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SaraL. McKinnon. (2009) Citizenship and the Performance of Credibility: Audiencing Gender-based Asylum Seekers in U.S. Immigration Courts. Text and Performance Quarterly 29:3, pages 205-221.
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Sibel Erdenk & Özlem Belkıs. (2022) Farklı göç deneyimleri, ortak çaresizlik üzerine bir yorum: Masanın Altında. Journal of Arts 5:2, pages 85-99.
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Matthew Abbey. (2022) Truths, fakes and the deserving queer migrant. Sexualities, pages 136346072210805.
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Erika Piazzoli & Elif Kir Cullen. (2021) The double-edged sword of storytelling. Scenario: A Journal for Performative Teaching, Learning, Research XV:2, pages 1-26.
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Merve Atasoy. (2021) Rethinking the Refugee Experience in Verbatim Theatre: Hospitality and Translation in Jessica Blank and Erik Jensen’s Aftermath . Modern Drama 64:1, pages 47-66.
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Erika Piazzoli & Elif Kir Cullen. (2020) The meaning(s) of practice: Puzzling through performative language practice with refugee learners. Applied Theatre Research 8:2, pages 227-244.
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Smita Misra. (2020) A Critical Reflexive Account From Participatory Theater With Asylum Seekers: Lessons for Framing Trauma and Resilience in Refugee Status Determination. Frontiers in Communication 5.
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Clark BaimClark Baim. 2020. Staging the Personal. Staging the Personal 65 113 .
Clark BaimClark Baim. 2020. Staging the Personal. Staging the Personal 19 64 .
Janet GibsonJanet Gibson. 2020. Dementia, Narrative and Performance. Dementia, Narrative and Performance 1 31 .
Sofie de Smet, Cécile Rousseau, Christel Stalpaert & Lucia De Haene. (2019) A qualitative analysis of coping with trauma and exile in applied theatre with Syrian refugees: The role of within-group interactions. The Arts in Psychotherapy 66, pages 101587.
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Maria Rovisco. (2019) Staging citizenship: Artistic performance as a site of contestation of citizenship. International Journal of Cultural Studies 22:5, pages 647-661.
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Fiona Dalziel & Erika Piazzoli. (2019) “It comes from you”: Agency in adult asylum seekers’ language learning through Process Drama. Language Learning in Higher Education 9:1, pages 7-32.
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Will McGowan. 2019. Representing the Experience of War and Atrocity. Representing the Experience of War and Atrocity 203 225 .
Erin Goheen Glanville. (2018) Refracting exoticism in video representations of the victim-refugee: K’Naan, Angelina Jolie and research responsibilities. Crossings: Journal of Migration & Culture 9:2, pages 233-251.
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Jouni Häkli, Elisa Pascucci & Kirsi Pauliina Kallio. (2017) Becoming Refugee in Cairo: The Political in Performativity. International Political Sociology 11:2, pages 185-202.
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Aylwyn Walsh. 2016. Performing (for) Survival. Performing (for) Survival 203 221 .
Kristin M. Langellier. (2014) “If You Ask”. Departures in Critical Qualitative Research 3:4, pages 442-456.
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Caroline Wake. (2013) To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire . Modern Drama 56:1, pages 102-125.
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