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Research in Drama Education: The Journal of Applied Theatre and Performance Volume 14, 2009 - Issue 1: ON DISABILITY: CREATIVE TENSIONS IN APPLIED THEATRE
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Practitioner statement

A playwright reflects on ‘alternative dramaturgies’

Kaite O'Reilly Playwright, Correspondence[email protected]
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Pages 31-35 | Published online: 19 Feb 2009

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Aline Verbeke, Julie Rodeyns & Free De Backer. (2023) Disability aesthetics in Belgian arts and disability practices: a qualitative study from the perspective of the non-disabled, facilitating performing artists. Research in Drama Education: The Journal of Applied Theatre and Performance 0:0, pages 1-21.
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Katy Maudlin, Rea Dennis & Kate Hunter. (2023) A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms. Text and Performance Quarterly 43:2, pages 111-122.
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Katrina Carter. (2018) Exposing the Implicit: AD for Aerial Action, Identity, and Storytelling. Teaching Artist Journal 16:3-4, pages 106-113.
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Nina Muehlemann. (2018) Interrogating wholeness through access aesthetics: Kaite O’Reilly’s In Water I’m Weightless. Research in Drama Education: The Journal of Applied Theatre and Performance 23:3, pages 454-466.
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Andrea García-Santesmases Fernández & Miriam Arenas Conejo. (2017) Playing crip: the politics of disabled artists’ performances in Spain. Research in Drama Education: The Journal of Applied Theatre and Performance 22:3, pages 345-351.
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John-Patrick Udo & DeborahI. Fels. (2010) Universal design on stage: live audio description for theatrical performances. Perspectives 18:3, pages 189-203.
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Articles from other publishers (5)

Hannah SimpsonHannah Simpson. 2022. Samuel Beckett and Disability Performance. Samuel Beckett and Disability Performance 1 16 .
Anton Aleksandrovich Trinadtsatko. (2021) Performing art as an instrument of increasing social activity of the visually impaired people. Социодинамика:4, pages 1-21.
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Janet GibsonJanet Gibson. 2020. Dementia, Narrative and Performance. Dementia, Narrative and Performance 133 175 .
Megan Johnson. (2018) Integrating Accessibility and Aesthetics Onstage in Neworld Theatre’s King Arthur’s Night . Canadian Theatre Review 176, pages 102-106.
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Andrea García-Santesmases Fernández. 2017. Documentary and Disability. Documentary and Disability 159 173 .

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