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Global Society Volume 24, 2010 - Issue 3: Aesthetics and Global Politics
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Articles

Cinematic Ontologies and Viewer Epistemologies: Knowing International Politics as Moving Images

Terrell CarverCorrespondence[email protected]
Pages 421-431 | Published online: 12 Jul 2010

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Megan A. Armstrong$suffix/text()$suffix/text(). (2023) Why is the zombie apocalypse so terrible for women? Gender, militarism, and ontological insecurity at the end of the world. International Feminist Journal of Politics 25:5, pages 801-818.
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Morgane Desoutter$suffix/text()$suffix/text(). (2023) White Women Filming Kurdish Women: The Instrumentalisation of the Kurdish Armed Struggle. Global Society 0:0, pages 1-19.
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Juliette Schwak. (2020) Film in an IPE classroom: for a critical pedagogy of the everyday. Review of International Political Economy 27:6, pages 1330-1353.
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Caitlin Hamilton. (2019) Exploring the potential of the popular culture and world politics agenda: actors, artefacts and the everyday. Australian Journal of Political Science 54:4, pages 573-584.
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William Clapton & Laura J. Shepherd. (2019) Ethics Ex Machina: popular culture and the plural futures of politics. Australian Journal of Political Science 54:4, pages 531-542.
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Myriam Dunn Cavelty. (2019) The materiality of cyberthreats: securitization logics in popular visual culture. Critical Studies on Security 7:2, pages 138-151.
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Susanna Hast. (2018) Bodily States on Screen: Gendering Spheres of Influence in House of Cards. Geopolitics 23:2, pages 436-463.
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Anca Pusca. (2011) Restaging the 1989 revolution: the Romanian New Wave. Cambridge Review of International Affairs 24:4, pages 573-592.
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Articles from other publishers (2)

Aggie Hirst. (2022) Wargames Resurgent: The Hyperrealities of Military Gaming from Recruitment to Rehabilitation. International Studies Quarterly 66:3.
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Anca Pusca. (2013) Looking back: communist melancholia and post-socialist pains. Journal of International Relations and Development 17:3, pages 425-437.
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