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Original Articles

'Rethinking the missionary position' - the quest for sustainable audience development strategies

Pages 1-17 | Published online: 02 Dec 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (16)

Manuel Cuadrado-García & Juan D. Montoro-Pons. (2022) LGB´s Arts Affinity: An Empirical Study of Theater Audiences Based on Motivations. Journal of Homosexuality 69:8, pages 1322-1341.
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Manuela Pegoraro & Luca Zan. (2017) Life and death in audience development. The exhibition on Pompeii at the British museum, 2013. Museum Management and Curatorship 32:3, pages 210-231.
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Pieter de Rooij & Marcel Bastiaansen. (2017) Understanding and Measuring Consumption Motives in the Performing Arts. The Journal of Arts Management, Law, and Society 47:2, pages 118-135.
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Eudora Tong, Christopher James White & Tim Fry. (2016) Classical Music Concert Attendance and Older Adults. Journal of Leisure Research 48:2, pages 178-187.
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Christian Potschka, Mathias Fuchs & Agata Królikowski. (2013) Review of European Expert Network on Culture's audience building and the future Creative Europe programme, 2012. Cultural Trends 22:3-4, pages 265-269.
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Karen Burland & Stephanie Pitts. (2012) Rules and expectations of jazz gigs. Social Semiotics 22:5, pages 523-543.
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Alf Hatton. (2012) The conceptual roots of modern museum management dilemmas. Museum Management and Curatorship 27:2, pages 129-147.
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Belem Barbosa & Pedro Quelhas Brito. (2012) Do open day events develop art museum audiences?. Museum Management and Curatorship 27:1, pages 17-33.
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Chris Hand. (2011) Do arts audiences act like consumers?. Managing Leisure 16:2, pages 88-97.
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Julie Whitfield & Don J. Webber. (2010) Sector Differences in Conference Facility Refurbishment. Tourism and Hospitality Planning & Development 7:2, pages 163-178.
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Denise Cole. (2008) Museum marketing as a tool for survival and creativity: the mining museum perspective. Museum Management and Curatorship 23:2, pages 177-192.
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Mária Tajtáková & Daniel Arias-Aranda. (2008) Targeting university students in audience development strategies for opera and ballet. The Service Industries Journal 28:2, pages 179-191.
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Nobuko Kawashima. (2006) AUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN. International Journal of Cultural Policy 12:1, pages 55-72.
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Gayle McPherson. (2006) Public memories and private tastes: The shifting definitions of museums and their visitors in the UK. Museum Management and Curatorship 21:1, pages 44-57.
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Articles from other publishers (22)

Yuxin Ma, Yuke Zhu, Mingyu Chen & Ruoqing Yang. (2023) Visitor-oriented: A Study of the British Museum's Visitor-centred Operations Strategy. International Journal of Education and Humanities 11:1, pages 128-130.
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Eric Kolhede, J. Tomas Gomez-Arias & Anna Maximova. (2022) Price elasticity in the performing arts: a segmentation approach. Journal of Marketing Analytics 11:3, pages 523-550.
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Sascha Bjarnø Olinsson. (2023) A Museology for Open-Air Museums. Journal of Conservation and Museum Studies 21:1.
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Luca Pareschi & Noemi Ponzoni. 2021. Cultural Initiatives for Sustainable Development. Cultural Initiatives for Sustainable Development 249 270 .
Steven HadleySteven Hadley. 2021. Audience Development and Cultural Policy. Audience Development and Cultural Policy 219 237 .
Steven HadleySteven Hadley. 2021. Audience Development and Cultural Policy. Audience Development and Cultural Policy 187 217 .
Steven HadleySteven Hadley. 2021. Audience Development and Cultural Policy. Audience Development and Cultural Policy 147 185 .
Steven HadleySteven Hadley. 2021. Audience Development and Cultural Policy. Audience Development and Cultural Policy 79 110 .
Steven HadleySteven Hadley. 2021. Audience Development and Cultural Policy. Audience Development and Cultural Policy 57 78 .
Steven HadleySteven Hadley. 2021. Audience Development and Cultural Policy. Audience Development and Cultural Policy 1 23 .
Leila Jancovich & David Stevenson. (2020) Cultural Participation. Conjunctions 7:2, pages 1-8.
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David Stevenson. (2019) The cultural non-participant: critical logics and discursive subject identities. Arts and the Market 9:1, pages 50-64.
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Berta Tubillejas-Andrés, Amparo Cervera-Taulet & Haydee Calderón García. (2018) Feeling emotions in the public performing arts sector: does gender affect?. International Review on Public and Nonprofit Marketing 16:1, pages 1-22.
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Elif Ulker-Demirel, Ayse Akyol & Gülhayat Gölbasi Simsek. (2018) Marketing and consumption of art products: the movie industry. Arts and the Market 8:1, pages 80-98.
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Christy Collis. 2017. Entertainment Values. Entertainment Values 11 22 .
Eric John Kolhede & J. Tomas Gomez-Arias. (2016) Segmentation of infrequent performing arts consumers. Arts and the Market 6:1, pages 88-110.
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Raymond Powell & Jithendran Kokkranikal. 2015. Cultural Tourism in a Digital Era. Cultural Tourism in a Digital Era 169 181 .
Sue Vaux Halliday & Alexandra Astafyeva. (2014) Millennial cultural consumers: co-creating value through brand communities. Arts Marketing: An International Journal 4:1/2, pages 119-135.
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Gabriele Troilo, Maria Cristina Cito & Isabella Soscia. (2014) Repurchase Behavior in the Performing Arts: Do Emotions Matter without Involvement?. Psychology & Marketing 31:8, pages 635-646.
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Huong Le, David H B Bednall & Yuka Fujimoto. 2014. Transcultural Marketing for Incremental and Radical Innovation. Transcultural Marketing for Incremental and Radical Innovation 78 95 .
Noel Dennis, Gretchen Larsen & Michael Macaulay. (2011) Editorial: terraforming Arts Marketing . Arts Marketing: An International Journal 1:1, pages 5-10.
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Gretchen Larsen & Daragh O'Reilly. (2010) Special issue on creative methods of inquiry in arts marketing. International Journal of Culture, Tourism and Hospitality Research 4:1, pages 3-7.
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