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Articles

Wang Hong Fashion Culture and the Postfeminist Time in China

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Shaohua Guo. (2023) Crossover stardom on small screens: the case of Zhang Ziyi. Celebrity Studies 14:4, pages 519-533.
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Simidele Dosekun. (2021) Reflections on “thinking postfeminism transnationally”. Feminist Media Studies 21:8, pages 1378-1381.
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Sara Liao. (2020) Feminism without guarantees: Reflections on teaching and researching feminist activism in China. Asian Journal of Women's Studies 26:2, pages 259-267.
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Articles from other publishers (8)

Min Xu & Shiyu (Sharon) Zheng. (2022) Against masculinised hypercorrection? Renegotiating the everydayness and ordinariness of postfeminism on Chinese TV. Media, Culture & Society 45:2, pages 435-446.
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Anna Iskra. (2023) “Be Soft like Water, Little Woman”: Cultivating Postfeminism in Postsocialist China. Signs: Journal of Women in Culture and Society 48:3, pages 659-682.
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Yilei Wang & Dezheng (William) Feng. (2022) Identity performance and self-branding in social commerce: A multimodal content analysis of Chinese wanghong women’s video-sharing practice on TikTok. Discourse, Context & Media 50, pages 100652.
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Haiqing Yu, Jian Xu & Ping Sun. (2022) Introduction: Platformization of entrepreneurial labor via Chinese digital networks. Global Media and China 7:3, pages 253-262.
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Jia Guo. (2022) The postfeminist entrepreneurial self and the platformisation of labour: A case study of yesheng female lifestyle bloggers on Xiaohongshu . Global Media and China 7:3, pages 303-318.
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Sara Liao & Qi Ling. (2022) The “Little Third”: Changing Images of Women Characters Involved in Extramarital Affairs on Chinese TV. Communication, Culture and Critique 15:3, pages 355-371.
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Sara Liao & Grace Xia. (2022) Consumer nationalism in digital space: A case study of the 2017 anti-lotte boycott in China. Convergence: The International Journal of Research into New Media Technologies, pages 135485652210901.
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Xiaofei Han. (2022) Platform as new “daddy”: China’s gendered wanghong economy and patriarchal platforms behind. Internet Policy Review 11:1.
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