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Information, Communication & Society Volume 12, 2009 - Issue 3: AoIR Special Issue
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ARTICLES

COLLECT YOURSELF

Negotiating personal music archives

Marjorie Kibby University of Newcastle, Humanities and Social Science, University Drive, Callaghan, Newcastle, 2308, AustraliaCorrespondence[email protected]
Pages 428-443 | Published online: 09 Mar 2011

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Dawei Wu, Yuxiang Chris Zhao, Xiaolun Wang, Shijie Song & Jingwen Lian. (2023) Digital Hoarding in Everyday Hedonic Social Media Use: The Roles of Fear of Missing out (FoMO) and Social Media Affordances. International Journal of Human–Computer Interaction 0:0, pages 1-16.
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Marika Lüders. (2021) Ubiquitous tunes, virtuous archiving and catering for algorithms: the tethered affairs of people and music streaming services. Information, Communication & Society 24:15, pages 2342-2358.
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Nedim Karakayali & Baris Alpertan. (2021) Mood playlists, biopower, and the “functional turn” in online media: What happens when a pre-digital social control technology is transferred to the internet?. The Information Society 37:1, pages 20-34.
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Rosa Angela Fabio, Giancarlo Iannizzotto, Andrea Nucita & Tindara Caprì. (2019) Adult listening behaviour, music preferences and emotions in the mobile context. Does mobile context affect elicited emotions?. Cogent Engineering 6:1.
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Anja Nylund Hagen. (2015) The Playlist Experience: Personal Playlists in Music Streaming Services. Popular Music and Society 38:5, pages 625-645.
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Steffen Lepa & Anne-Kathrin Hoklas. (2015) How do people really listen to music today? Conventionalities and major turnovers in German audio repertoires. Information, Communication & Society 18:10, pages 1253-1268.
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Jean Hogarty. (2015) Memories of the Material/Vestiges of the Virtual: Exploring the Impact of Material and Immaterial Formats on the Memory of Popular Music. Rock Music Studies 2:2, pages 148-167.
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Ofer Bergman & Noa Gradovitch. (2023) Collecting streaming music increases listening enjoyment. Personal and Ubiquitous Computing.
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Ofer Bergman, Steve Whittaker & Noa Gradovitch. (2022) Evidence for the merits of collecting streaming music. Personal and Ubiquitous Computing 27:2, pages 331-342.
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Susan Hallam & Evangelos Himonides. 2022. The Power of Music. The Power of Music.
José Vicente Neglia. (2021) ‟Original Artyfacts”: Rethinking Object Biography in Popular Music Studies« Original Artyfacts » : repenser la biographie d’objet dans l’étude des musiques populaires. Volume !:18 : 2, pages 33-51.
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Marika Lüders . (2019) Pushing music: People’s continued will to archive versus Spotify’s will to make them explore. European Journal of Cultural Studies 24:4, pages 952-969.
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Leonieke Bolderman & Stijn Reijnders. (2019) Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening. European Journal of Cultural Studies 24:4, pages 935-951.
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Maor Weinberger & Dan Bouhnik. (2020) Various information aspects following the emergence of music streaming applications. Online Information Review 45:1, pages 118-137.
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Scott Kushner. (2019) Collecting and media change, or: Listening to Phish via app. Convergence: The International Journal of Research into New Media Technologies 26:4, pages 969-989.
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Kerry McKellar, Elizabeth Sillence, Nick Neave & Pam Briggs. (2020) There Is More Than One Type of Hoarder: Collecting, Managing and Hoarding Digital Data in the Workplace. Interacting with Computers 32:3, pages 209-220.
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Jo Ann Oravec. 2019. Advanced Methodologies and Technologies in Artificial Intelligence, Computer Simulation, and Human-Computer Interaction. Advanced Methodologies and Technologies in Artificial Intelligence, Computer Simulation, and Human-Computer Interaction 644 653 .
Sally Jo Cunningham. 2019. Information in Contemporary Society. Information in Contemporary Society 526 536 .
Ross Garner. 2018. A Companion to Media Fandom and Fan Studies. A Companion to Media Fandom and Fan Studies 91 106 .
Jo Ann Oravec. (2018) Digital (or Virtual) Hoarding. International Journal of Computers in Clinical Practice 3:1, pages 27-39.
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Jo Ann Oravec. 2018. Encyclopedia of Information Science and Technology, Fourth Edition. Encyclopedia of Information Science and Technology, Fourth Edition 4306 4314 .
Wenche Nag. (2017) Music streams, smartphones, and the self. Mobile Media & Communication 6:1, pages 19-36.
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Jane W. Davidson & Amanda E. Krause. 2018. Music, Health and Wellbeing. Music, Health and Wellbeing 33 63 .
Anne Mollen & Frederik Dhaenens. 2018. The Future of Audiences. The Future of Audiences 43 60 .
Anja N Hagen & Marika Lüders. (2016) Social streaming? Navigating music as personal and social. Convergence: The International Journal of Research into New Media Technologies 23:6, pages 643-659.
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Gary Sinclair & Julie Tinson. (2017) Psychological ownership and music streaming consumption. Journal of Business Research 71, pages 1-9.
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Sally Jo Cunningham, David Bainbridge & Annette Bainbridge. 2017. Digital Libraries: Data, Information, and Knowledge for Digital Lives. Digital Libraries: Data, Information, and Knowledge for Digital Lives 295 306 .
Amanda E. Krause & Adrian C. North. (2016) Playlists and time perspective. Psychology of Music 44:5, pages 1209-1218.
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Daniel J. Keown. (2015) A descriptive analysis of film music enthusiasts? purchasing and consumption behaviors of soundtrack albums: An exploratory study. Psychology of Music 44:3, pages 428-442.
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Amanda E Krause & Adrian C North. (2014) Music listening in everyday life: Devices, selection methods, and digital technology. Psychology of Music 44:1, pages 129-147.
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Donald McMillan, Barry Brown, Abigail Sellen, Siân Lindley & Roy Martens. (2015) Pick up and play. Pick up and play.
Amanda E Krause & Adrian C North. (2014) Contextualized music listening: playlists and the Mehrabian and Russell model. Psychology of Well-Being 4:1.
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Amanda E. Krause & David J. Hargreaves. (2012) myTunes: Digital music library users and their self-images. Psychology of Music 41:5, pages 531-544.
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David Beer. (2012) The comfort of mobile media. Convergence: The International Journal of Research into New Media Technologies 18:4, pages 361-367.
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