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Information, Communication & Society Volume 26, 2023 - Issue 4
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Articles

Music streaming platforms and self-releasing musicians: the case of China

Shuwen Qua School of Journalism and Communication, Jinan University, Guangzhou, People’s Republic of ChinaORCID Iconhttps://orcid.org/0000-0003-4495-4247View further author information
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David Hesmondhalghb School of Media and Communication, University of Leeds, Leeds, UKORCID Iconhttps://orcid.org/0000-0001-5940-9191View further author information
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Jian Xiaoc School of Media and International Culture, Zhejiang University, Hangzhou, People’s Republic of ChinaCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0001-9261-5237View further author information
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Pages 699-715 | Received 23 Sep 2020, Accepted 11 Aug 2021, Published online: 08 Sep 2021

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Read on this site (4)

Allan Watson, Andrew Leyshon & George Windsor. (2023) Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry. Cultural Trends 0:0, pages 1-19.
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Shane Murphy & Margee Hume. (2023) The new digital music marketing ecosystem: artist direct. Creative Industries Journal 0:0, pages 1-33.
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Aditya Lal, David Hesmondhalgh & Charles Umney. (2023) The changing shape of the Indian recorded music industry in the age of platformisation. Contemporary South Asia 31:2, pages 291-310.
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Ke Nie. (2023) Bowing to five pecks of rice: how online monetization programs shape artistic novelty. Chinese Sociological Review 55:1, pages 66-95.
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Articles from other publishers (2)

Anthony Fung & Qian Zhang. (2023) Performance space and independent music: The role of cultural entrepreneur in music placemaking in China. DIY, Alternative Cultures & Society 1:1, pages 48-64.
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Elia Pizzolitto. (2023) Music in business and management studies: a systematic literature review and research agenda. Management Review Quarterly.
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