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Original Articles

The Ethical Claims of Bio-Art: Killing The Other Or Self-Cannibalism

(Artist in Residence) & (Artistic Director, Artist in Residence)
Pages 167-188 | Published online: 18 May 2015

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Sławomir Kozioł. (2018) Crake’s aesthetic: Genetically modified humans as a form of art in Margaret Atwood’s Oryx and Crake. Critique: Studies in Contemporary Fiction 59:4, pages 492-508.
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Articles from other publishers (11)

Elsa María Beltrán-Luengas. (2022) Conflictos bioéticos y estéticos en el bioarte: una perspectiva desde las emociones. Antípoda. Revista de Antropología y Arqueología:46, pages 51-74.
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Vladimir Todorovic. (2020) Reimagining life (forms) with generative and bio art. AI & SOCIETY 36:4, pages 1323-1329.
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Lauren Kamili. (2020) The lamp, the fly, and the fungusLa lampe, la mouche et le champignon. Techniques & culture.
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Lauren Kamili. (2020) La lampe, la mouche et le champignonThe lamp, the fly and the fungus. Observing and experimenting with living organisms in a biomimetic artifact. Techniques & culture.
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Guy Ben-Ary & Gemma Ben-Ary. 2016. Robots and Art. Robots and Art 307 325 .
Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church & Seok Hyun Yun. (2015) Bioart. Trends in Biotechnology 33:12, pages 724-734.
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Robert Magneson Chiles. (2013) If they come, we will build it: in vitro meat and the discursive struggle over future agrofood expectations. Agriculture and Human Values 30:4, pages 511-523.
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Dominique Lestel. (2012) Why Are We So Fond of Monsters?. Comparative Critical Studies 9:3, pages 259-269.
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Edwina Bartlem. 2009. The Future of Flesh. The Future of Flesh 155 178 .
Carol Gigliotti. 2008. Cognition, Communication and Interaction. Cognition, Communication and Interaction 536 548 .
Carol Gigliotti. (2005) Leonardo’s choice: the ethics of artists working with genetic technologies. AI & SOCIETY 20:1, pages 22-34.
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