1,935
Views
31
CrossRef citations to date
0
Altmetric
Original Articles

Exploring music instrument teaching and learning environments: video analysis as a means of elucidating process and learning outcomes

Pages 191-215 | Published online: 23 Jan 2007

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (7)

Jon Helge Sætre & Katie Zhukov. (2021) Let’s play together: teacher perspectives on collaborative chamber music instruction. Music Education Research 23:5, pages 553-567.
Read now
Ricieri Carlini Zorzal & João Fortunato Soares-Quadros Jr.. (2021) ‘Taste the value of each note’: verbal teaching strategies in guitar masterclasses. Music Education Research 23:4, pages 498-511.
Read now
Ryan Daniel & Kelly A. Parkes. (2019) Applied music studio teachers in higher education: evidence of learner-centred teaching. Music Education Research 21:3, pages 269-281.
Read now
G. Carey, L. Coutts, C. Grant, S. Harrison & R. Dwyer. (2018) Enhancing learning and teaching in the tertiary music studio through reflection and collaboration. Music Education Research 20:4, pages 399-411.
Read now
Gemma Carey, Scott Harrison & Rachael Dwyer. (2017) Encouraging reflective practice in conservatoire students: a pathway to autonomous learning?. Music Education Research 19:1, pages 99-110.
Read now
GrahamJ. McPhail. (2010) Crossing boundaries: sharing concepts of music teaching from classroom to studio. Music Education Research 12:1, pages 33-45.
Read now

Articles from other publishers (24)

Jo Stijnen, Luc Nijs & Peter Van Petegem. (2023) Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation. International Journal of Music Education, pages 025576142311757.
Crossref
Jordan Aiko Deja. (2021) Encouraging Improvisation in Piano LearningUsing Adaptive Visualisations and Spatiotemporal Models. Encouraging Improvisation in Piano LearningUsing Adaptive Visualisations and Spatiotemporal Models.
Jordan Aiko Deja. (2021) Adaptive Visualisations Using Spatiotemporal and Heuristic Models to Support Piano Learning. Adaptive Visualisations Using Spatiotemporal and Heuristic Models to Support Piano Learning.
I-Ching Chen, Gwo-Jen Hwang, Chiu-Lin Lai & Wei-Chun Wang. (2020) From design to reflection: Effects of peer-scoring and comments on students’ behavioral patterns and learning outcomes in musical theater performance. Computers & Education 150, pages 103856.
Crossref
Gilles Comeau, Yuanyuan Lu & Mikael Swirp. (2019) On-site and distance piano teaching: An analysis of verbal and physical behaviours in a teacher, student and parent. Journal of Music, Technology & Education 12:1, pages 49-77.
Crossref
Margarita Lorenzo de ReizábalManuel Benito Gómez. (2019) El debate en el aula de dirección de orquesta como mecanismo de aprendizaje individual y colectivo. Revista Internacional de Educación Musical 7:1, pages 57-68.
Crossref
Fatema Kawaf. (2019) Capturing digital experience: The method of screencast videography. International Journal of Research in Marketing 36:2, pages 169-184.
Crossref
Ricieri Zorzal & Oswaldo Lorenzo. (2017) Teacher–student physical contact as an approach for teaching guitar in the master class context. Psychology of Music 47:1, pages 69-82.
Crossref
Kelly A. Parkes. 2018. The Cambridge Handbook of Instructional Feedback. The Cambridge Handbook of Instructional Feedback 219 239 .
Barbara Hojean Chung. (2018) A Literature Review on Modeling Strategies used in Applied Music Studios. journal of Ewha Music Research Institute 22:1, pages 215-244.
Crossref
Paul Sambre & Kurt Feyaerts. (2017) Embodied musical meaning-making and multimodal viewpoints in a trumpet master class. Journal of Pragmatics 122, pages 10-23.
Crossref
Bjørg Julsrud Bjøntegaard. (2014) A combination of one-to-one teaching and small group teaching in higher music education in Norway – a good model for teaching?. British Journal of Music Education 32:1, pages 23-36.
Crossref
Gemma Carey & Catherine Grant. 2015. Teaching for Learning and Learning for Teaching. Teaching for Learning and Learning for Teaching 63 78 .
Adam Patrick Bell. (2014) Guitars have disabilities: exploring guitar adaptations for an adolescent with Down syndrome. British Journal of Music Education 31:3, pages 343-357.
Crossref
Mark Pulman. (2013) Popular music pedagogy: Band rehearsals at British universities. International Journal of Music Education 32:3, pages 296-310.
Crossref
Elizabeth Haddon. (2013) Observational learning in the music masterclass. British Journal of Music Education 31:1, pages 55-68.
Crossref
Sofia Serra-Dawa. 2014. Teaching Singing in the 21st Century. Teaching Singing in the 21st Century 201 220 .
Marianne Kamper. 2014. Transkription von Video- und Filmdaten in der Qualitativen Sozialforschung. Transkription von Video- und Filmdaten in der Qualitativen Sozialforschung 251 269 .
Graham J. McPhail. (2013) Developing student autonomy in the one-to-one music lesson. International Journal of Music Education 31:2, pages 160-172.
Crossref
Gemma Carey, Catherine Grant, Erica McWilliam & Peter Taylor. (2013) One-to-one pedagogy: Developing a protocol for illuminating the nature of teaching in the conservatoire. International Journal of Music Education 31:2, pages 148-159.
Crossref
Regina Antunes Teixeira dos Santos & Cristina Capparelli Gerling. (2012) Ways of knowing and types of knowledge: How do students approach a new piece of music?. International Journal of Music Education 30:3, pages 195-210.
Crossref
Hannu Tauriainen & Heikki Ruismäki. (2012) Progress in Using an Electronic Playing Environment. A Comparative Study between Cantors and Primary Teacher Students Specialising in Music. Procedia - Social and Behavioral Sciences 45, pages 493-500.
Crossref
Angela Taylor. (2010) Older amateur keyboard players learning for self-fulfilment. Psychology of Music 39:3, pages 345-363.
Crossref
Wai-Chung Ho. (2007) Music students’ perception of the use of multi-media technology at the graduate level in hong kong higher education. Asia Pacific Education Review 8:1, pages 12-26.
Crossref

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.