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Original Articles

One-to-one teaching as cultural practice: two case studies from an academy of music

Pages 399-416 | Published online: 21 Sep 2007

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Ryan Daniel & Kelly A. Parkes. (2019) Applied music studio teachers in higher education: evidence of learner-centred teaching. Music Education Research 21:3, pages 269-281.
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Gemma Carey, Scott Harrison & Rachael Dwyer. (2017) Encouraging reflective practice in conservatoire students: a pathway to autonomous learning?. Music Education Research 19:1, pages 99-110.
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Ingrid Maria Hanken. (2015) Listening and learning in a master class. Music Education Research 17:4, pages 453-464.
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Gemma Marian Carey, Ruth Bridgstock, Peter Taylor, Erica McWilliam & Catherine Grant. (2013) Characterising one-to-one conservatoire teaching: some implications of a quantitative analysis. Music Education Research 15:3, pages 357-368.
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Rosie Perkins. (2013) Learning cultures and the conservatoire: an ethnographically-informed case study. Music Education Research 15:2, pages 196-213.
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Mary Lennon & Geoffrey Reed. (2012) Instrumental and vocal teacher education: competences, roles and curricula. Music Education Research 14:3, pages 285-308.
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Eeva Kaisa Hyry-Beihammer. (2011) Narratives in teaching practice: Matti Raekallio as narrator in his piano lessons. Music Education Research 13:2, pages 199-209.
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GrahamJ. McPhail. (2010) Crossing boundaries: sharing concepts of music teaching from classroom to studio. Music Education Research 12:1, pages 33-45.
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Angeliki Triantafyllaki. (2010) Performance teachers' identity and professional knowledge in advanced music teaching. Music Education Research 12:1, pages 71-87.
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Articles from other publishers (34)

David Guile & Clay Spinuzzi. (2023) “Fractional” Vocational Working and Learning in Project Teams: “Project Assemblage” as a Unit of Analysis?. Vocations and Learning.
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Kim Burwell. (2023) Structural features in classical and jazz studio lessons. International Journal of Music Education.
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Kim Burwell. (2023) Power relations in the music teaching studio. British Journal of Music Education, pages 1-11.
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Ricieri Carlini Zorzal, Joás Gomes Batista & Alberto Joaquim Goveia Diniz Neto. (2023) O discurso verbal do professor em um ambiente natural de ensino de instrumento musical. Cuadernos de Educación y Desarrollo 15:5, pages 4309-4323.
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Marja-Leena Juntunen, Elina P. Arlin & Katri Liira. (2023) Expression in popular music singing as embodied and interpersonal. Frontiers in Education 8.
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Daniel Mateos-Moreno & Ernst Erlanson. (2022) Investigating one-to-one instrumental music lessons in relation to a training programme on Paul Harris’ simultaneous learning. International Journal of Music Education, pages 025576142211378.
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Ragnhild Sandberg-Jurström. (2022) Creating Space for Reflection: Meaning-Making Feedback in Instrumental/Vocal Lessons. Frontiers in Education 7.
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Kim Burwell. (2020) Authoritative discourse in advanced studio lessons. Musicae Scientiae 25:4, pages 465-479.
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Karin Johansson & Eva Georgii-Hemming. (2020) Processes of academisation in higher music education: the case of Sweden. British Journal of Music Education 38:2, pages 173-186.
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Kim Burwell, Gemma Carey & Dawn Bennett. (2017) Isolation in studio music teaching: The secret garden. Arts and Humanities in Higher Education 18:4, pages 372-394.
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Carina Lena Marie Borgström Källén & Birgitta Sandström. (2019) Kropp, blick och plats – konstruktioner av dans- och vokalundervisning. Educare:2, pages 73-92.
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Kim Burwell. (2018) Issues of dissonance in advanced studio lessons. Research Studies in Music Education 41:1, pages 3-17.
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Ricieri Zorzal & Oswaldo Lorenzo. (2017) Teacher–student physical contact as an approach for teaching guitar in the master class context. Psychology of Music 47:1, pages 69-82.
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Kim Burwell. (2018) Coaching e feedback durante os exercícios iniciais em aulas de voz de nível avançado. Orfeu 3:1.
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Kim Burwell. (2017) Feeling and thinking about studio practices: Exploring dissonance in semi-structured interviews with students in higher education music. British Journal of Music Education 34:2, pages 189-202.
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Te Oti Rakena, Airini & Deidre Brown. (2016) Success for All: Eroding the culture of power in the one-to-one teaching and learning context. International Journal of Music Education 34:3, pages 285-298.
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Ingrid Maria Hanken. (2016) Peer learning in specialist higher music education. Arts and Humanities in Higher Education 15:3-4, pages 364-375.
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Tina Kullenberg & Niklas Pramling. (2015) Learning and knowing songs: a study of children as music teachers. Instructional Science 44:1, pages 1-23.
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Heeyoung Han, Seung Hyun Han, Doo Hun Lim & Seung Won Yoon. 2016. Teacher Education. Teacher Education 1 26 .
Te Oti Rakena. 2016. Intersecting Cultures in Music and Dance Education. Intersecting Cultures in Music and Dance Education 119 133 .
Bjørg Julsrud Bjøntegaard. (2014) A combination of one-to-one teaching and small group teaching in higher music education in Norway – a good model for teaching?. British Journal of Music Education 32:1, pages 23-36.
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Heeyoung Han, Seung Hyun Han, Doo Hun Lim & Seung Won Yoon. 2015. Handbook of Research on Educational Technology Integration and Active Learning. Handbook of Research on Educational Technology Integration and Active Learning 177 201 .
Gemma Carey & Catherine Grant. 2015. Teaching for Learning and Learning for Teaching. Teaching for Learning and Learning for Teaching 63 78 .
Ryan J. Daniel & Kelly A. Parkes. 2015. Assessment in Music Education: from Policy to Practice. Assessment in Music Education: from Policy to Practice 107 124 .
Marianne Kamper. 2014. Transkription von Video- und Filmdaten in der Qualitativen Sozialforschung. Transkription von Video- und Filmdaten in der Qualitativen Sozialforschung 251 269 .
Kim Burwell. (2012) Apprenticeship in music: A contextual study for instrumental teaching and learning. International Journal of Music Education 31:3, pages 276-291.
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Karin Johansson. (2013) Undergraduate students' ownership of musical learning: obstacles and options in one-to-one teaching. British Journal of Music Education 30:2, pages 277-295.
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Gemma Carey, Catherine Grant, Erica McWilliam & Peter Taylor. (2013) One-to-one pedagogy: Developing a protocol for illuminating the nature of teaching in the conservatoire. International Journal of Music Education 31:2, pages 148-159.
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Marion Long, Andrea Creech, Helena Gaunt, Susan Hallam & Linnhe Robertson. (2012) Blast from the past: Conservatoire students’ experiences and perceptions of public master classes. Musicae Scientiae 16:3, pages 286-306.
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Angeliki Triantafyllaki. (2010) ‘Workplace landscapes’ and the construction of performance teachers' identity: the case of advanced music training institutions in Greece. British Journal of Music Education 27:2, pages 185-201.
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Laia Viladot, Isabel Gómez & Teresa Malagarriga. (2010) Sharing meanings in the music classroom. European Journal of Psychology of Education 25:1, pages 49-65.
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Allan Hewitt. (2009) Musical Styles as Communities of Practice Challenges for learning, teaching and assessment of music in higher education. Arts and Humanities in Higher Education 8:3, pages 329-337.
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Frederick SeddonMichele Biasutti. (2009) Participant approaches to and reflections on learning to play a 12-bar blues in an asynchronous e-learning environment. International Journal of Music Education 27:3, pages 189-203.
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Lotte Latukefu. (2009) Peer learning and reflection: strategies developed by vocal students in a transforming tertiary setting. International Journal of Music Education 27:2, pages 128-142.
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