Citations (42)
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Maureen Amimo & Solomon Waliaula. (2023) Kutuma Salamu on Public Service Radio and the Performance of Popular Culture: Voice of Kenya from the 1960s to the 1980s. Journal of African Cultural Studies 35:2, pages 232-247.
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Melissa Tully, Dani Madrid-Morales, Herman Wasserman, Gregory Gondwe & Kioko Ireri. (2022) Who is Responsible for Stopping the Spread of Misinformation? Examining Audience Perceptions of Responsibilities and Responses in Six Sub-Saharan African Countries. Digital Journalism 10:5, pages 679-697.
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Khulekani Ndlovu & Busani Maseko. (2022) Ethnic Politics and Aesthetic Criticism: An Analysis of Social Media Discourses About Skhosana Buhlungu’s Music. Critical Arts 36:1-2, pages 67-80.
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Jude Nwakpoke Ogbodo. (2021) Mixing “Nonsense with Substance”: Negotiating Satirical and Investigative Journalism Hybrid Genre in Nigeria. African Journalism Studies 42:4, pages 137-152.
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David Cheruiyot, j. Siguru Wahutu, Admire Mare, George Ogola & Hayes Mawindi Mabweazara. (2021) Making News Outside Legacy Media. African Journalism Studies 42:4, pages 1-14.
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Danford Zirugo. (2021) Subverting Journalistic Routines: When Political Satire Intervenes to Challenge Public Broadcasting National Discourses. African Journalism Studies 42:4, pages 121-136.
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Garhe Osiebe. (2021) Oliver Twist, popular music and electoral nostalgia in Nigeria. African Identities 19:2, pages 221-235.
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Rafiki Ubaldo & Helen Hintjens. (2020) Rwandan music-makers negotiate shared cultural identities after genocide: the case of Orchestre Impala’s revival. Cultural Studies 34:6, pages 925-958.
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Stijn Postema & Mark Deuze. (2020) Artistic Journalism: Confluence in Forms, Values and Practices. Journalism Studies 21:10, pages 1305-1322.
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Reuben Kiyondi Ondara. (2020)
Omogusii Omokimbizi: A Gusii Popular Artist’s Meditation on the Post-election Violence in Kenya. Eastern African Literary and Cultural Studies 6:1, pages 41-57.
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Colin Chasi & Cuthbeth Tagwirei. (2020) Death and Ubuntu in Oliver Mtukudzi's Music. Muziki 17:1, pages 23-45.
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Leonard Chitongo & Josiah Taru. (2019) Framing Subalternity, Precarity and Poverty in Selected Songs by Leonard Zhakata. Muziki 16:2, pages 22-37.
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Theophilus Tinashe Nenjerama & Nkululeko Sibanda. (2019) Navigating between Protest Theatre and Journalism in Post-2000 Zimbabwe: A Study of All Systems Out of Order. Communicatio 45:2, pages 18-33.
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Shepherd Mpofu. (2019) Art as Journalism in Zimbabwe. Journalism Studies 20:1, pages 60-78.
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Shepherd Mpofu & Theophilus Nenjerama. (2018) Imaginations and Narrations of the Nation: The Music of Raymond Majongwe and Brian Muteki in the Identity Construction of Post-2000 Zimbabwe. Muziki 15:2, pages 75-94.
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Oswelled Ureke & Yollanda Washaya. (2016) Social commentary, subaltern voices and the alternative medium of Zimdancehall music: Unpacking the music of Winky D and Sniper Storm. Muziki 13:1, pages 68-88.
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Wendy Willems. (2015) Risky dialogues: the performative state and the nature of power in a postcolony. Journal of African Cultural Studies 27:3, pages 356-369.
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Livingstone Makondo & Otlina Makondo. (2011) Funeral songs and the Seventh-day Adventist Church. Muziki 8:1, pages 70-81.
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Trust Matsilele, Mbongeni Jonny Msimanga & Lungile Augustine Tshuma. (2023) Popular music and political contestations in Zimbabwe: An analysis of Winky D’s and Jah Prayzah’s music. Journal of African Media Studies.
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Serena Miller. (2022) The Tenure and Promotion Standards Used to Evaluate Creative Scholarship in the Media and Communication Fields. Journalism & Mass Communication Educator 77:4, pages 376-392.
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Nkululeko Sibanda & Cletus Moyo. (2022) Theatricality in the midst of a pandemic: An assessment of artistic responses to COVID-19 pandemic in Zimbabwe. Journal of African Media Studies 14:2, pages 295-308.
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Herman Wasserman. (2017) Fake news from Africa: Panics, politics and paradigms. Journalism 21:1, pages 3-16.
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Nicole Stremlau. (2013) Towards a diagnostic approach to media in fragile states: Examples from the Somali territories. Media, War & Conflict 6:3, pages 279-293.
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R. Lance Holbert & Dannagal Goldthwaite Young. 2012. The International Encyclopedia of Media Studies. The International Encyclopedia of Media Studies.
Sylvanus N. Spencer. (2012) The Use of Pop Songs by Sierra Leonean Youths in Enjoying the Space Created for Freedom of Expression after the Civil War. Africa Today 59:1, pages 71-86.
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Susan Shepler. (2010) Youth music and politics in post-war Sierra Leone. The Journal of Modern African Studies 48:4, pages 627-642.
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Hayes Mawindi Mabweazara. (2009) Regional identity and the politics of belonging in the consumption of Zimbabwe's vernacular tabloid newspaper, <I>uMthunywa</I> in Bulawayo. Journal of African Media Studies 1:3, pages 449-467.
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Anne Schumann. (2009) Popular music and political change in Cte d'Ivoire: the divergent dynamics of <I>zouglou</I> and reggae. Journal of African Media Studies 1:1, pages 117-133.
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