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Original Articles

Remaking Charlie's Angels

The construction of post-feminist hegemony

Pages 375-389 | Published online: 17 Nov 2008

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Read on this site (5)

Alison Brzenchek & Mari Castañeda. (2017) The Real Housewives, gendered affluence, and the rise of the docusoap. Feminist Media Studies 17:6, pages 1022-1036.
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Meg Tully. (2017) “Clear Eyes, Full Hearts, Don’t Rape”: Subverting Postfeminist Logics on Inside Amy Schumer. Women's Studies in Communication 40:4, pages 339-358.
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Pamela Hill Nettleton. (2015) Stop the Press: The Future of Journalism Is Not Post-Political. The Communication Review 18:2, pages 123-141.
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Suzy D'Enbeau & PatriceM. Buzzanell. (2011) Selling (Out) Feminism: Sustainability of Ideology–Viability Tensions in a Competitive Marketplace. Communication Monographs 78:1, pages 27-52.
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Articles from other publishers (6)

Juan-Pablo Osman & Nancy R. Gómez. 2022. Gender and Action Films 2000 and Beyond. Gender and Action Films 2000 and Beyond 51 71 .
Neal Curtis. (2020) Wonder Woman and Captain Marvel : The (Dis)Continuity of Gender Politics . The Journal of Popular Culture 53:4, pages 926-945.
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Pamela Hill Nettleton. (2016) No Girls Allowed. Television & New Media 17:7, pages 563-578.
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Sarah Becker, Danielle Thomas & Michael R Cope. (2016) Post-feminism for children: feminism ‘repackaged’ in the Bratz films. Media, Culture & Society 38:8, pages 1218-1235.
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Andrea Harris. 2015. Race, Gender, and Sexuality in Post-Apocalyptic TV and Film. Race, Gender, and Sexuality in Post-Apocalyptic TV and Film 99 111 .
. 2012. The Wiley‐Blackwell Companion to Political Sociology. The Wiley‐Blackwell Companion to Political Sociology 491 564 .

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