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Feminist Media Studies Volume 19, 2019 - Issue 7: Independent Women: From Film to Television
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Articles

Teresa Fernández-Valdés and female-produced TV series in Spain. Cable Girls/Las chicas del cable as case study

Francisco J. López RodríguezDepartment of European Studies, Division of Spanish and Latin American Studies, Aichi Prefectural University, Nagakute, JapanCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-0250-1664View further author information
ORCID Icon &
Irene Raya BravoDepartment of Communication and Advertising, University of Seville, Seville, SpainORCID Iconhttps://orcid.org/0000-0003-2070-303XView further author information
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Pages 962-976 | Received 15 Dec 2018, Accepted 08 Aug 2019, Published online: 16 Oct 2019

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Read on this site (2)

Anna Tous-Rovirosa, Maria Prat & Daria Dergacheva. (2023) The Hockey Girls. The creation of a new collective subject: sisterhood and the empowerment of women. Feminist Media Studies 23:5, pages 2063-2084.
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Abigail Loxham. (2023) Transnational (post)feminist television drama made in Spain. Feminist Media Studies 23:4, pages 1705-1720.
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Articles from other publishers (3)

Kristina Pietaryte & Ana Cristina Suzina. (2022) Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series. Critical Studies in Television: The International Journal of Television Studies 18:1, pages 41-61.
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Fiona Noble. (2022) New feminist voices in Spanish audio-visual cultural production: Vis a vis (Locked Up) (Antena 3 and Globomedia, 2015–19) and La casa de papel (Money Heist) (Antena 3 and Netflix, 2017–21). Journal of European Popular Culture 13:2, pages 83-102.
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María-Teresa Vera-Balanza & María-Jesús Ruiz-Muñoz. (2022) IMPLEMENTACIóN DE PERSPECTIVAS DE GéNERO EN LOS ESTUDIOS DE COMUNICACIóN SOCIAL. Cadernos de Pesquisa 52.
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