Cinema and authenticity: anxieties in the making of historical filmFootnote^*
* This article was developed from papers delivered at the ‘Journeys Across Media’ conference (University of Reading, 2014) and ‘Out of Practice’ conference (University of Birmingham, 2016).

Dominic LeesDepartment of Film, Media and Performing Arts, University for the Creative Arts, Farnham, UKCorrespondence[email protected]
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Stephanie Russo. (2021) ‘You are, like, so woke’: Dickinson and the anachronistic turn in historical drama. Rethinking History 25:4, pages 534-554.
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CAROLINA ROCHA. (2022) Uruguayan Postmodern Historical Films: La Redota: Una Historia de Artigas and Una noche de doce años. Bulletin of Hispanic Studies 99:10, pages 1015-1030.
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Cinema and authenticity: anxieties in the making of historical filmFootnote^*
* This article was developed from papers delivered at the ‘Journeys Across Media’ conference (University of Reading, 2014) and ‘Out of Practice’ conference (University of Birmingham, 2016).

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Cinema and authenticity: anxieties in the making of historical filmFootnote** This article was developed from papers delivered at the ‘Journeys Across Media’ conference (University of Reading, 2014) and ‘Out of Practice’ conference (University of Birmingham, 2016).

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Cinema and authenticity: anxieties in the making of historical filmFootnote^*
* This article was developed from papers delivered at the ‘Journeys Across Media’ conference (University of Reading, 2014) and ‘Out of Practice’ conference (University of Birmingham, 2016).