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South Asian Popular Culture Volume 10, 2012 - Issue 1: The 1970s and its Legacies in India's Cinemas
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Articles

Aesthetic dislocations: A re-take on Malayalam cinema of the 1970s

Ratheesh Radhakrishnan Rice University, Houston, USACorrespondence[email protected]
Pages 91-102 | Published online: 02 Feb 2012

Citations (6)

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Read on this site (2)

Jenson Joseph. (2022) Mutations of the interior: The political in the new media regime. South Asian Popular Culture 20:1, pages 119-131.
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Ameet Parameswaran. (2019) Excavating the remains of the left: radical geography and political affirmation. Studies in Theatre and Performance 39:3, pages 268-284.
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Articles from other publishers (4)

Manju Edachira. (2022) A Lost Past? The Production of Affective Archives in Malayalam Cinema. BioScope: South Asian Screen Studies 13:2, pages 176-203.
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Jenson Joseph. (2018) Cinema and the political in Kerala: On Mukhamukham and Amma Ariyan. Studies in South Asian Film & Media 10:2, pages 149-161.
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Ratheesh Radhakrishnan. (2017) Urban/the City: An Experiment Called the “Kochi Film”. positions: asia critique 25:1, pages 173-194.
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Jenson Joseph. (2017) Contemplative Spectator, Universal Art, Contingent Realities: Aesthetic Trajectories in Two Early “Art Films” In Malayalam. positions: asia critique 25:1, pages 125-144.
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