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South Asian Popular Culture Volume 17, 2019 - Issue 1
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Original Articles

(Re) Thinking women in cinema: The changing narrative structure in Bollywood

Benazir ManzarDepartment of Humanities and Social Science, Indian Institute of Technology (ISM), Dhanbad, IndiaCorrespondence[email protected]
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Aju AravindDepartment of Humanities and Social Science, Indian Institute of Technology (ISM), Dhanbad, IndiaView further author information
Pages 1-13 | Published online: 07 Apr 2019

Citations (7)

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Read on this site (3)

Pratyusha Pramanik & Ajit K Mishra. (2023) Changing Stories, Changing Lives: Reconfiguration of Mothering Practices in Contemporary Bollywood. Quarterly Review of Film and Video 0:0, pages 1-23.
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Mayank Jha. (2022) Dancing through patriarchy: garba as a means of resistance in Abhishek Shah’s Hellaro. South Asian History and Culture 13:2, pages 215-230.
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Pardhu Pinnamshetty & Aparna Rayaprol. (2021) Nostalgia, nation and bollywood: second-generation Indian-Americans and the consumption of movies. South Asian Diaspora 13:2, pages 143-156.
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Articles from other publishers (4)

Johnson Rajkumar & Rajkumari Lilapati Devi. (2023) BEYOND DOMESTICITY AND WOMEN’S AGENCY IN MANIPURI CINEMA: AN ANALYSIS OF FEMALE CHARACTERS IN ARIBAM SYAM’S FILM. ShodhKosh: Journal of Visual and Performing Arts 4:2.
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Chandrakant Kamble. (2023) Sexualized Objects and the Embodiment of Caste Honour: Rape in Dalit Women-centric Movies. Contemporary Voice of Dalit.
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Chandrakant Kamble & Santosh Kumar Biswal. (2023) The Changing Role of Marginalised Women in Hindi Cinema: A Shift from Cinematic Negotiations to Empowerment. Media Watch 14:3, pages 386-402.
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Pratyusha Pramanik & Ajit K. Mishra. (2023) Matricentric Leadership: Vidya Balan and the Emergence of Alternative Leadership Style in Popular Hindi Cinema. Media Watch 14:3, pages 278-295.
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