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* I wish to acknowledge with gratitude the Dirección de Superación Académica de la Secretaría de Educación Pública (DSA-SEP) of Mexico for their support via the Film Studies Network (‘Red CACINE’); the Sistema Nacional de Investigadores of Mexico; the Lannan Center of Georgetown University; José María Prado of the Filmoteca Española; my mentors Robert Alter, Anne Nesbet, Francine Masiello, and Eric Naiman; and the exceptionally helpful feedback of Jo Evans.
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